Direct Metal Mastering

Direct Metal Mastering (DMM) is an analogue audio disc mastering technique jointly developed by two German companies, Telefunken-Decca (TelDec) and Georg Neumann GmbH, towards the end of the 20th century after having seen the same technology used by RCA Princeton Labs for their SelectaVision videodiscs in the late 70's.

Neumann was responsible for manufacturing the actual DMM cutting equipment as part of their VMS80 series lathes. Unlike conventional disc mastering, where the mechanical audio modulation is cut onto a lacquer-coated aluminum disc, DMM cuts straight into metal (copper), utilizing a high frequency carrier system and specialized diamond styli, vibrating at more than 40 kHz (i.e. 60 kHz) to facilitate the cutting.

Read more about Direct Metal Mastering:  Overview, Criticisms of DMM Recordings, Digital Recordings

Famous quotes containing the words direct, metal and/or mastering:

    The shortest route is not the most direct one, but rather the one where the most favorable winds swell our sails:Mthat is the lesson that seafarers teach. Not to abide by this lesson is to be obstinate: here, firmness of character is tainted with stupidity.
    Friedrich Nietzsche (1844–1900)

    And, indeed, is there not something holy about a great kitchen?... The scoured gleam of row upon row of metal vessels dangling from hooks or reposing on their shelves till needed with the air of so many chalices waiting for the celebration of the sacrament of food. And the range like an altar, yes, before which my mother bowed in perpetual homage, a fringe of sweat upon her upper lip and the fire glowing in her cheeks.
    Angela Carter (1940–1992)

    When a girl of today leaves school or college and looks about her for material upon which to exercise her trained intelligence, there are a hundred things that force themselves upon her attention as more vital and necessary than mastering the housewife.
    Cornelia Atwood Pratt, U.S. author, women’s magazine contributor. The Delineator: A Journal of Fashion, Culture and Fine Arts (January 1900)