Works
He painted several musicians, many of which probably contain a self-portrait, as they all seem to feature the same man.
- The Entombment, ca. 1617, (San Pietro in Montorio, Rome)
- Capture of Christ, before 1621 (Borghese Gallery, Rome)
- Christ Washing the Feet of the Apostles, before 1621 (Gemäldegalerie, Berlin)
- Uriah's Death in Battle, before 1621 (private collection)
- Youth Playing a Small Whistle 1621 (Centraal Museum, Utrecht)
- The Procuress, 1622 (Boston Museum of Fine Arts)
- Christ among the Doctors, 1622 (National Gallery of Norway, Oslo)
- Backgammon Players, c. 1622 (Residenzgalerie, Bamberg)
- Loose Company, 1623 (Gemäldegalerie, Mainz)
- Prometheus Being Chained by Vulcan, 1623 (see above)
- Crowning with Thorns, 1623 (Museum Catharijneconvent, Utrecht)
- Crowning with Thorns, 1623 (Nelson-Atkins Museum of Art, Kansas City, Missouri)
- Cimon and Pero (Roman Charity), ca. 1623 (York City Art Gallery)
- Saint Sebastian Tended by Irene, ca. 1623 (Kunsthalle, Hamburg)
- Eleusinian Mysteries, (Palace of the Dukes of Braganza, Guimarães)
Read more about this topic: Dirck Van Baburen
Famous quotes containing the word works:
“...A shadow now occasionally crossed my simple, sanguine, and life enjoying mind, a notion that I was never really going to accomplish those powerful literary works which would blow a noble trumpet to social generosity and noblesse oblige before the world. What? should I find myself always planning and never achieving ... a richly complicated and yet firmly unified novel?”
—Sarah N. Cleghorn (1876–1959)
“They commonly celebrate those beaches only which have a hotel on them, not those which have a humane house alone. But I wished to see that seashore where man’s works are wrecks; to put up at the true Atlantic House, where the ocean is land-lord as well as sea-lord, and comes ashore without a wharf for the landing; where the crumbling land is the only invalid, or at best is but dry land, and that is all you can say of it.”
—Henry David Thoreau (1817–1862)
“Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.”
—Jane Jacobs (b. 1916)