Characters
The focus of the show's plot is the Sinclair family: Earl, Fran, Robbie, Charlene and Baby.
One of the show's most popular characters is the mischievous Baby (occasionally referred to as "Junior" until the second season, where he was officially named "Baby Sinclair").
Baby's most famous catchphrase is "Not the mama!", shouted while hitting Earl repeatedly over the head with a frying pan. Frequently, when Baby should be hurt (such as after having been hurled through the air), he will throw his arms up enthusiastically and exclaim, "Again!" A music video was produced for a song based on another of Baby's catchphrases, "I'm the Baby, Gotta Love Me".
In 1992, a full music CD titled "Dinosaurios: Big Songs" was released in Mexico containing 12 song tracks related to the show and the characters. The CD contained the Spanish cover version of "I'm the Baby" titled "Soy el nene". In 1995, this song was also covered in Brazil by Maria Leal, Brazilian Dinosaurs' version voice for Baby. The song was titled "Eu sou o Baby, tem que me amar".
The Sinclair family members all appear to belong to wildly different species of dinosaurs. Humans have appeared in several episodes as cavemen, and the dinosaur characters often expressed the belief that humans could never develop intelligence. Earl's favorite show on T.V. features a talking caveman named "Mr. Ugh", a direct parody of Mr. Ed, further expressing the dinosaurs' belief that humans are stupid. A recurring joke is that the dinosaurs do not know how to tell male and female humans apart and usually switch them in conversation. In one episode, "The Mating Dance", in which zookeepers unknowingly pair two obviously male humans together and cannot figure out why they will not produce offspring. There are also other recurring characters, typically Earl's WESAYSO Corporation co-workers.
Read more about this topic: Dinosaurs (TV series)
Famous quotes containing the word characters:
“Children pay little attention to their parent’s teachings, but reproduce their characters faithfully.”
—Mason Cooley (b. 1927)
“It is open to question whether the highly individualized characters we find in Shakespeare are perhaps not detrimental to the dramatic effect. The human being disappears to the same degree as the individual emerges.”
—Franz Grillparzer (1791–1872)
“The major men
That is different. They are characters beyond
Reality, composed thereof. They are
The fictive man created out of men.
They are men but artificial men.”
—Wallace Stevens (1879–1955)