Dinosaur Renaissance - Warm-bloodedness and Activity Levels

Warm-bloodedness and Activity Levels

For more details on the physiology of dinosaurs, see Physiology of dinosaurs

In a series of scientific papers, books, and popular articles in the 1970s and 1980s, beginning with his 1968 paper The superiority of dinosaurs, Robert Bakker argued strenuously that dinosaurs were warm-blooded and active animals, capable of sustained periods of high activity. In most of his writings Bakker framed his arguments as new evidence leading to a revival of ideas popular in the late 19th century, frequently referring to an ongoing dinosaur renaissance. He used a variety of anatomical and statistical arguments to defend his case, the methodology of which was fiercely debated among scientists.

These debates sparked interest in new methods for ascertaining the palaeobiology of extinct animals, such as bone histology, which have been successfully applied to determining the growth-rates of many dinosaurs.

Today, it is generally thought that many or perhaps all dinosaurs had higher metabolic rates than living reptiles, but also that the situation is more complex and varied than Bakker originally proposed. For example, while smaller dinosaurs may have been true endotherms, the larger forms could have been inertial homeotherms, or many dinosaurs could have had intermediate metabolic rates.

Read more about this topic:  Dinosaur Renaissance

Famous quotes containing the words activity and/or levels:

    History does nothing; it does not possess immense riches, it does not fight battles. It is men, real, living, who do all this.... It is not “history” which uses men as a means of achieving—as if it were an individual person—its own ends. History is nothing but the activity of men in pursuit of their ends.
    Karl Marx (1818–1883)

    Pushkin’s composition is first of all and above all a phenomenon of style, and it is from this flowered rim that I have surveyed its seep of Arcadian country, the serpentine gleam of its imported brooks, the miniature blizzards imprisoned in round crystal, and the many-hued levels of literary parody blending in the melting distance.
    Vladimir Nabokov (1899–1977)