Influences and Musical Style
Dimmu Borgir's older releases (since 1992 to 1999) are strongly influenced by Darkthrone, Mayhem, Bathory, Emperor, Celtic Frost, Immortal, Venom and Iron Maiden. The band became more progressive and symphonic through the years; many black metal purists consider the band's second album, Stormblåst, to be "the act's last true contribution to black metal". Enthrone Darkness Triumphant, Dimmu Borgir's third album, "distinguished itself in two important areas, firstly forgoing their native language for English and secondly for its dramatic increase in synthesizer content". Significant experimentation started approximately around 2000, during the era of Spiritual Black Dimensions (due to the addition of Vortex's clean vocals, and the variety of musical ideas from then-new member Mustis), as well as Puritanical Euphoric Misanthropia due to addition of influences from composers such as Antonín Dvořák, Enya, Richard Wagner and Frédéric Chopin. As the music strongly differed from the older, rawer black metal style, Jon "Metalion" Kristiansen called Spiritual Black Dimensions "a fine case of melodic, over-produced symphonic metal. If you like this melodic style I can't really think of anyone doing it better . No, I wouldn't call this black metal. Read the interview with Funeral Mist for the right definition of black metal."
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“Do not seek anxiously to be developed, to subject yourself to many influences to be played on; it is all dissipation.”
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“I am so tired of taking to others
translating my life for the deaf, the blind,
the “I really want to know what your life is like without giving up any of my privileges
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