Dimension Jump (Red Dwarf Episode) - Production

Production

The idea behind this episode came as a result of Chris Barrie (who at the same time as filming this series was also playing Gordon Brittas, another character whose personality led to him being disliked by those around him, in The Brittas Empire) asking Rob Grant and Doug Naylor for the chance to play someone heroic, suffering from what he described as 'git overload'.

The ending scene went through numerous changes. The initial plan was to have Rimmer drop a load of kippers on Ace, but it didn't work on comic or practical levels. Since it was decided that this didn't work well, the text scroll was added in the post production.

Several models for the episode were produced, including Ace's ship, the Io city dome and the Space Corps test space station. Filming of Ace's ship crashing into Starbug involved flying it through space on wires. The Starbug crash site was achieved using an ocean moon miniature construction.

For the first time in the series run, the end theme tune was changed. The director, Ed Bye, had requested a "naff organ sound" to end the episode with. In keeping with the Rimmer theme Howard Goodall performed an instrumental arrangement which played over the end credits.

The regular cast all get to play their alternative universe roles. Chris Barrie plays Ace Rimmer, Craig Charles is Spanners, Danny John-Jules is the Chaplain, Robert Llewellyn is Bongo and Hattie Hayridge got the chance to play more than just a computer head when she appeared as Mellie. Kalli Greenwood appeared as Mrs. Rimmer and Simon Gaffney appeared as Young Rimmer—reprising their roles from Polymorph (and Simon also appeared as young Rimmer in "Timeslides"), while Hetty Baynes voiced the Cockpit Computer.

Read more about this topic:  Dimension Jump (Red Dwarf Episode)

Famous quotes containing the word production:

    The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.
    Ernest Gellner (b. 1925)

    Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.
    Karl Marx (1818–1883)

    ... this dream that men shall cease to waste strength in competition and shall come to pool their powers of production is coming to pass all over the earth.
    Jane Addams (1860–1935)