Die Frau Ohne Schatten - Roles

Roles

Role Voice type Premiere, 10 October 1919
(Franz Schalk)
The Emperor (Der Kaiser) tenor Karl Aagard Østvig
The Empress (Die Kaiserin), Keikobad's daughter high dramatic soprano Maria Jeritza
The Nurse (Die Amme), her guardian dramatic mezzo-soprano or
contralto
Lucie Weidt
Barak, the Dyer (Barak, der Färber) bass-baritone Richard Mayr
The Dyer's Wife (Die Färberin) high dramatic soprano Lotte Lehmann
The One-eyed Man (Der Einäugige), Barak's brother high bass Viktor Madin
The One-Armed Man (Der Einarmige), Barak's brother bass Julius Betetto
The Hunchback (Der Bucklige), Barak's brother high tenor Anton Arnold
The Messenger of Keikobad high baritone Josef von Manowarda
The Voice of a Falcon soprano Felicie Hüni-Mihacsek
The Apparition of a Youth high tenor Elisabeth Schumann
The Guardian of the Threshold soprano or
countertenor
Sybilla Blei
A Voice From Above contralto Maria Olczewska
Voices of Six Unborn Children (Sechs Kinderstimmen) three sopranos, three baritones
Voices of Three Town Watchmen (Stimmen Der Wächter Der Stadt) baritones
Servants of the Empress, other children and beggar-children, spirit-servants and spirit-voices

The role of the Empress calls for a dramatic soprano who is also capable of extended coloratura passages containing trills, runs, and a high D (and that's just her first solo in Act One). Similarly, any tenor attempting the Emperor must be able to handle numerous passages in his uppermost range, particularly his extended solo scene in Act Two. The Nurse role sits mostly in the contralto range, but makes frequent leaps above the staff. The Dyer's Wife also calls for a soprano with immense sound to be heard over heavily orchestrated passages. The Dyer is the most approachable of the leading vocal parts, but again the orchestration is very heavy and requires a baritone with sufficient stamina to last the opera's three hours and fifteen minutes.

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