Reception
Jim Malec of The 9513 gave the song a thumbs-up rating. Although he described the verses as "disposable and generic", he thought that the song's hook compensated. "“Didn’t you know how much I loved you?” is a great hook. Great enough that we’re not going to remember how average the rest of the song is, only the tremendous power of those words." He also complimented her vocals: "Pickler hits the song’s melodic peak she’s soaring, squeezing out every bit of power and emotion her voice can muster." Roughstock reviewer Bobby Peacock also described the verses as "pedestrian" but added, "ith a good enough vocal performance, even a trite lyric can be elevated greatly." His review also desecribes the title hook favorably. Kevin J. Coyne of Country Universe gave the song a C rating. "There’s such an incongruity between the softly sung verses and the bombastic chorus that it’s hard to get a handle on how she’s asking the titular question. Is she angry? Sad? Disappointed? Disbelieving? Take any twenty seconds of the song, and you might get a different answer."
Read more about this topic: Didn't You Know How Much I Loved You
Famous quotes containing the word reception:
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)