Dick Tracy (1990 Film) - Development

Development

Warren Beatty had a concept for a Dick Tracy film in 1975. At the time, the film rights were owned by Michael Laughlin, who gave up his option from Tribune Media Services after he was unsuccessful in pitching Dick Tracy to Hollywood studios. Floyd Mutrux and Art Linson purchased the film rights from the Tribune in 1977, and, in 1980, United Artists became interested in financing/distributing Dick Tracy. Tom Mankiewicz was under negotiations to write the script, based on his previous success with Superman (1978) and Superman II (1980). The deal fell through when Chester Gould insisted on strict financial and artistic control.

That same year, Mutrux and Linson eventually took the property to Paramount Pictures, who began developing screenplays, offered Steven Spielberg the director's position, and brought in Universal Pictures to co-finance. Universal put John Landis forward as a candidate for director, courted Clint Eastwood for the title role, and commissioned Jim Cash and Jack Epps, Jr. to write the screenplay. "Before we were brought on, there were several failed scripts at Universal," reflected Epps, "then it went dormant, but John Landis was interested in Dick Tracy, and he brought us in to write it." Cash and Epps' simple orders from Landis were to write the script in a 1930s pulp magazine atmosphere and center it with Alphonse "Big Boy" Caprice as the primary villain. For research, Epps read every Dick Tracy comic strip from 1930 to 1957. The writers wrote two drafts for Landis; Max Allan Collins, then writer of the Dick Tracy comic strip, remembers reading one of them. "It was terrible. The only positive thing about it was a thirties setting and lots of great villains, but the story was paper-thin and it was uncomfortably campy."

In addition to Beatty and Eastwood, other actors who were considered for the lead role included Harrison Ford, Richard Gere, Tom Selleck, and Mel Gibson. Landis left Dick Tracy following the controversial on-set accident on Twilight Zone: The Movie (1983), in which actor Vic Morrow was killed. In an interview with fimmaker Pasquale Murena, John Landis stated that he brought Beatty in to play Tracy and that the script used by Beatty is the one he developed. Walter Hill then came on board to direct with Joel Silver as producer. Cash and Epps wrote another draft, and Hill approached Warren Beatty for the title role. Pre-production had progressed as far as set building, but the film was stalled when artistic control issues arose with Beatty, a fan of the Dick Tracy comic strip. Hill wanted to make the film violent and realistic, while Beatty envisioned a stylized homage to the 1930s comic strip. The actor also reportedly wanted $5 million plus fifteen percent of the box office gross, a deal which Universal refused to accept.

Hill and Beatty left the film, which Paramount began developing as a lower-budget project with Richard Benjamin directing. Cash and Epps continued to rewrite the script, but Universal was unsatisfied. The film rights eventually reverted to Tribune Media Services in 1985. However, Beatty decided to option the Dick Tracy rights himself, along with the Cash/Epps script. When Jeffrey Katzenberg moved from Paramount to the Walt Disney Motion Pictures Group, Dick Tracy resurfaced with Beatty as director, producer and leading man. He considered hiring Martin Scorsese to direct the film, but changed his mind. "It never occurred to me to direct the movie," Beatty admitted, "but finally, like most of the movies that I direct, when the time comes to do it, I just do it because it's easier than going through what I'd have to go through to get somebody else to do it."

Beatty's reputation for directorial profligacy—notably with the critically acclaimed Reds (1981), did not sit well with Disney. As a result, Beatty and Disney reached a contracted agreement whereby any budget overruns on Dick Tracy would be deducted from Beatty's fee as producer, director, and star. Beatty and regular collaborator Bo Goldman significantly rewrote the dialogue but lost a Writers Guild arbitration and did not receive screen credit.

Disney greenlighted Dick Tracy in 1988 under the condition that Warren Beatty keep the production budget within $25 million, which began to rise once filming started. It quickly jumped to $30 million and then $47 million as its final production budget. Disney spent an additional $54 million on the marketing campaign, resulting in a total of $101 million spent overall. The financing for Dick Tracy came from Disney's Touchstone Pictures and Silver Screen Partners, as well as Beatty's own production company, Mulholland Productions.

Read more about this topic:  Dick Tracy (1990 film)

Famous quotes containing the word development:

    Somehow we have been taught to believe that the experiences of girls and women are not important in the study and understanding of human behavior. If we know men, then we know all of humankind. These prevalent cultural attitudes totally deny the uniqueness of the female experience, limiting the development of girls and women and depriving a needy world of the gifts, talents, and resources our daughters have to offer.
    Jeanne Elium (20th century)

    The man, or the boy, in his development is psychologically deterred from incorporating serving characteristics by an easily observable fact: there are already people around who are clearly meant to serve and they are girls and women. To perform the activities these people are doing is to risk being, and being thought of, and thinking of oneself, as a woman. This has been made a terrifying prospect and has been made to constitute a major threat to masculine identity.
    Jean Baker Miller (20th century)

    On fields all drenched with blood he made his record in war, abstained from lawless violence when left on the plantation, and received his freedom in peace with moderation. But he holds in this Republic the position of an alien race among a people impatient of a rival. And in the eyes of some it seems that no valor redeems him, no social advancement nor individual development wipes off the ban which clings to him.
    Frances Ellen Watkins Harper (1825–1911)