Other Activities
For five years (1992-1997), Grote was a regular commentator on National Public Radio's "Morning Edition" program. For over twenty years he was adjunct professor of management at the University of Dallas graduate school. Between 1979 and 1990 he was a member of the Board of Trustees of The Dallas Opera, the Dallas Theater Center, the Shakespeare Festival of Dallas, and the Dallas Chamber Music Society.
In 2007 Grote was named a Rabin Award Nominator by the Dallas Theater League, in which capacity he is responsible for nominating theatrical productions for the League's prestigious Rabin Award. In 2009 he appeared as a supernumerary in The Dallas Opera's production of Rossini's comic opera, L'italiana in Algeri (The Italian Girl in Algiers). In 2012 he studied meditation with the Rev. Takafumi Kawakami, Deputy Head Priest of the Shunkoin Temple in Kyoto, Japan.
A platform master, Grote speaks regularly on leadership and management at professional and management conferences. In 2002, Workforce magazine published a list of the eighty people, events and trends that have shaped human resources in the past century. Grote's work in the evolution of performance appraisal was listed at number 19.
Read more about this topic: Dick Grote
Famous quotes containing the word activities:
“If it is to be done well, child-rearing requires, more than most activities of life, a good deal of decentering from one’s own needs and perspectives. Such decentering is relatively easy when a society is stable and when there is an extended, supportive structure that the parent can depend upon.”
—David Elkind (20th century)
“Both at-home and working mothers can overmeet their mothering responsibilities. In order to justify their jobs, working mothers can overnurture, overconnect with, and overschedule their children into activities and classes. Similarly, some at-home mothers,... can make at- home mothering into a bigger deal than it is, over stimulating, overeducating, and overwhelming their children with purposeful attention.”
—Jean Marzollo (20th century)