Diary of a Country Priest (original French title: Journal d'un curé de campagne) is a 1951 French film directed by Robert Bresson, and starring Claude Laydu. It was closely based on the novel of the same name by Georges Bernanos. Published in 1937, the novel received the Grand prix du roman de l'Académie française. It tells the story of a young, sickly priest, who has just arrived in his first parish, a village in northern France. The novel was translated into English by Pamela Morris and was published the same year as the French original.
Two other French scriptwriters, Jean Aurenche and Pierre Bost had wanted to make film adaptations of the novel. Bernanos rejected Aurenche's first draft, and by the time Bresson got around to the task, Bernanos had died. Bresson said he "would have taken more liberties" if Bernanos were still alive. The film had considerable influences on Martin Scorsese's Taxi Driver.
Read more about Diary Of A Country Priest: Plot, Cast, Production, Reception, Awards
Famous quotes containing the words diary, country and/or priest:
“I do not keep a diary. Never have. To write a diary every day is like returning to ones own vomit.”
—J. Enoch Powell (b. 1912)
“This mesa plain had an appearance of great antiquity, and of incompleteness; as if, with all the materials for world-making assembled, the Creator had desisted, gone away and left everything on the point of being brought together, on the eve of being arranged into mountain, plain, plateau. The country was still waiting to be made into a landscape.”
—Willa Cather (18731947)
“A nun, at best, is only half a woman, just as a priest is only half a man.”
—H.L. (Henry Lewis)