Diana Taylor is a University Professor and professor of Performance Studies and Spanish at the Tisch School of the Arts at New York University as well as the founding director of the Hemispheric Institute of Performance and Politics. As a major contributor to the area of Performance Studies in the Americas, her work focuses on Latin American and U.S. theatre and performance, performance and politics, feminist theatre and performance in the Americas, Hemispheric studies, and trauma studies.
She is the recipient of numerous fellowships (Guggenheim, Rockefeller, Ford, and Whiting) and book awards: Best Book Award by New England Council on Latin American Studies and Honorable Mention in the Joe E. Callaway Prize for the Best Book on Drama for Theatre of Crisis, and the Outstanding Book award from ATHE (Association of Theatre in Higher Education) and the Kathleen Singer Kovaks Award from the Modern Language Association (MLA) for The Archive and the Repertoire.
Taylor is also the author of
- The Archive and the Repertoire: Performing Cultural Memory in the Americas
- Theatre of Crisis: Drama and Politics in Latin America
- Disappearing Acts: Spectacles of Gender and Nationalism in Argentina's 'Dirty War'
She co-edited Holy Terrors: Latin American Women Perform, Defiant Acts: Four Plays by Diana Raznovich, Negotiating Performance in Latin/o America: Gender, Sexuality and Theatricality, and The Politics of Motherhood: Activists from Left to Right.
Currently, she lives in New York.
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| Name | Taylor, Diana |
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| Short description | American academic |
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Famous quotes containing the words diana and/or taylor:
“I always draw a parallel between oppression by the regime and oppression by men. To me it is just the same. I always challenge men on why they react to oppression by the regime, but then they do exactly the same things to women that they criticize the regime for.”
—Sethembile N., South African black anti-apartheid activist. As quoted in Lives of Courage, ch. 19, by Diana E. H. Russell (1989)
“That, of course, was the thing about the fifties with all their patina of familial bliss: A lot of the memories were not happy, not mine, not my friends’. That’s probably why the myth so endures, because of the dissonance in our lives between what actually went on at home and what went on up there on those TV screens where we were allegedly seeing ourselves reflected back.”
—Anne Taylor Fleming (20th century)