Diana Damrau - Key Performances

Key Performances

  • La Scala: Europa riconosciuta* (Europa), The Marriage of Figaro (Susanna)
  • Metropolitan Opera: The Magic Flute (Queen of the Night and Pamina), Ariadne auf Naxos (Zerbinetta), Il barbiere di Siviglia* (Rosina), Die ägyptische Helena* (Aithra), Die Entführung aus dem Serail (Konstanze), Lucia di Lammermoor (Lucia), Rigoletto* (Gilda), La fille du régiment (Marie), Le comte Ory* (Adèle), L'elisir d'amore (Adina)
  • The Royal Opera: The Magic Flute* (Queen of the Night), Arabella* (Fiakermilli), Ariadne auf Naxos (Zerbinetta), 1984* (Gym Instructor / Drunken Woman), Hänsel und Gretel* (Gretel), L'elisir d'amore (Adina)
  • Vienna State Opera: Die Fledermaus (Adele), Rigoletto (Gilda), Ariadne auf Naxos (Zerbinetta), Der Riese vom Steinfeld* by Cerha (Small Woman), The Marriage of Figaro (Susanna), Die Entführung aus dem Serail* (Konstanze), The Magic Flute (Queen of the Night), Il barbiere di Siviglia (Rosina), Manon (Manon), Lucia di Lammermoor (Lucia)
  • Salzburg Festival: Die Entführung aus dem Serail* (Blondchen / Konstanze), Ascanio in Alba* (Fauno), The Magic Flute* (Queen of the Night), The Marriage of Figaro (Susanna)
  • Bavarian State Opera, Munich: Les contes d'Hoffmann* (Olympia/Antonia/Giulietta/Stella), Die schweigsame Frau* (Aminta), The Magic Flute (Queen of the Night), Die Entführung aus dem Serail* (Konstanze), Arabella (Zdenka), Ariadne auf Naxos*(Zerbinetta), Rigoletto* (Gilda), The Marriage of Figaro (Susanna), Der Rosenkavalier (Sophie), Fidelio (Marzelline), Der Freischütz (Ännchen), Die Fledermaus (Adele)

NB: * indicates a new production of the piece

Read more about this topic:  Diana Damrau

Famous quotes containing the words key and/or performances:

    “Woe to you lawyers! For you have taken away the key of knowledge; you did not enter yourselves, and you hindered those who were entering.”
    —Bible: New Testament, Luke 11:52.

    “At one of the later performances you asked why they called it a “miracle,”
    Since nothing ever happened. That, of course, was the miracle
    But you wanted to know why so much action took on so much life
    And still managed to remain itself, aloof, smiling and courteous.”
    —John Ashbery (b. 1927)