Diana Damrau - Biography

Biography

Diana Damrau was born in 1971 in Günzburg, Bavaria, Germany, and began her operatic studies with Carmen Hanganu at the Hochschule für Musik Würzburg. After graduating from music conservatory she worked in Salzburg with Hanna Ludwig. Her first operatic engagements were in Würzburg and subsequently the National Theatre Mannheim and Oper Frankfurt. Since then, she has sung throughout the world at venues such as the Vienna State Opera, the Metropolitan Opera New York, the Royal Opera House, the Bavarian State Opera and the Salzburg Festival. She was invited to sing the title role in Antonio Salieri's Europa riconosciuta at the re-opening of La Scala, Milan in 2004, under the baton of Riccardo Muti.

The Queen of the Night from Mozart's The Magic Flute has been Damrau's most frequently performed role to date, as she has been engaged to perform it in over 15 productions at houses including Covent Garden, the Salzburg Festival, the Vienna State Opera, Oper Frankfurt and the Bavarian State Opera, Munich. Damrau made Metropolitan Opera history in the 2007/2008 season by appearing as both Pamina and Queen of the Night in different performances of the same run. Another notable engagement was her assumption of all four heroines in Offenbach's Les contes d'Hoffmann in a new production at the Bavarian State Opera in October 2011. Other coloratura roles in her repertoire include Zerbinetta, Lucia, Elvira, Rosina, Gilda, Adina, Marie, Linda and Aminta. She also performs roles in the lyric repertoire including Manon, Donna Anna, Gretel and Pamina.

Damrau has furthered her exploration of the bel canto repertoire in recent years with highlights including new productions of Rossini's comic opera Le comte Ory at the Metropolitan Opera and the title role in Donizetti's Linda di Chamounix at the Liceu, Barcelona. The soprano has since returned to the Metropolitan Opera as both Adina and Rosina and brought her portrayal of Donizetti's Lucia to Berlin and Vienna. Expecting her second child in Autumn 2012, Damrau will return to the stage with a new production of Verdi's Rigoletto at the Metropolitan Opera in February 2013, followed by her role debut in the title role of Verdi's La traviata in the same house. Later in the year will see the world premiere of A Harlot's Progress, an opera written for her by young British composer Iain Bell based on the etchings of William Hogarth, which will receive its premiere in Vienna's Theater an der Wien.

As well as performing in operas, Damrau is a regular on the concert stage. She has performed Lieder repertoire at Vienna's Musikverein, at Carnegie Hall, Wigmore Hall, La Scala, the Schubertiade in Schwarzenberg, Austria, and both the Munich and Salzburg Festivals. Her concert repertoire includes Carl Orff's Carmina Burana, Mozart's Great Mass in C minor, Requiem and Exsultate, jubilate as well as Handel's Messiah. She has performed with such esteemed conductors as James Levine, Zubin Mehta, Lorin Maazel, Sir Colin Davis, Christoph von Dohnányi, Leonard Slatkin, Pierre Boulez, Nikolaus Harnoncourt and Jesús López-Cobos.

Read more about this topic:  Diana Damrau

Famous quotes containing the word biography:

    In how few words, for instance, the Greeks would have told the story of Abelard and Heloise, making but a sentence of our classical dictionary.... We moderns, on the other hand, collect only the raw materials of biography and history, “memoirs to serve for a history,” which is but materials to serve for a mythology.
    Henry David Thoreau (1817–1862)

    The death of Irving, which at any other time would have attracted universal attention, having occurred while these things were transpiring, went almost unobserved. I shall have to read of it in the biography of authors.
    Henry David Thoreau (1817–1862)

    Had Dr. Johnson written his own life, in conformity with the opinion which he has given, that every man’s life may be best written by himself; had he employed in the preservation of his own history, that clearness of narration and elegance of language in which he has embalmed so many eminent persons, the world would probably have had the most perfect example of biography that was ever exhibited.
    James Boswell (1740–95)