Contrasting View: The Clash of Civilizations
In 1993, Huntington provoked great debate among international relations theorists with the interrogatively-titled "The Clash of Civilizations?", a controversial, oft-cited article published in Foreign Affairs magazine. Its description of post–Cold War geopolitics contrasted with the controversial End of History thesis advocated by Francis Fukuyama.
Huntington expanded "The Clash of Civilizations?" to book length and published it as The Clash of Civilizations and the Remaking of World Order in 1996. The article and the book posit that post–Cold War conflict would most frequently and violently occur because of cultural rather than ideological differences. That, whilst in the Cold War, conflict likely occurred between the Capitalist West and the Communist Bloc East, it now was most likely to occur between the world's major civilizations — identifying seven, and a possible eighth: (i) Western, (ii) Latin American, (iii) Islamic, (iv) Sinic (Chinese), (v) Hindu, (vi) Orthodox, (vii) Japanese, and (viii) the African. This cultural organization contrasts the contemporary world with the classical notion of sovereign states. To understand current and future conflict, cultural rifts must be understood, and culture — rather than the State — mern nations will lose predominance if they fail to recognize the irreconcilable nature of cultural tensions.
- In Eurasia the great historic fault lines between civilizations are once more aflame. This is particularly true along the boundaries of the crescent-shaped Islamic bloc of nations, from the bulge of Africa to central Asia. Violence also occurs between Muslims, on the one hand, and Orthodox Serbs in the Balkans, Jews in Israel, Hindus in India, Buddhists in Burma and Catholics in the Philippines. Islam has bloody borders. —— "The Clash of Civilizations?", original 1993 "Foreign Affairs" magazine article
Critics (see Le Monde Diplomatique articles) call The Clash of Civilizations and the Remaking of World Order the theoretical legitimization of American-led Western aggression against China and the world's Islamic cultures. Nevertheless, this post–Cold War shift in geopolitical organization and structure requires that the West internally strengthens itself culturally, by abandoning the imposition of its ideal of democratic universalism and its incessant military interventionism. Other critics argue that Huntington's taxonomy is simplistic and arbitrary, and does not take account of the internal dynamics and partisan tensions within civilizations. Huntington's influence upon U.S. policy has been likened to that of British historian A.J. Toynbee's controversial religious theories about Asian leaders in the early twentieth century.
Personal Representative of the Secretary-General for the UN Year of Dialogue Among Civilizations, has said:
- History does not kill. Religion does not rape women, the purity of blood does not destroy buildings and institutions do not fail. Only individuals do those things.
Mr. Picco was appointed the Personal Representative to the Secretary-General for the United Nations Year of Dialogue Among Civilizations in 1999 in order to facilitate discussions on diversity, through organizing conferences, seminars and disseminating information and scholarly materials. Having served the United Nations for two decades, Mr. Picco is most recognized for participating in UN efforts to negotiate the Soviet withdrawal from Afghanistan and in bringing an end to the Iran-Iraq war. He believes that people should take responsibility for who they are, what they do, what they value, and what they believe in.
Read more about this topic: Dialogue Among Civilizations
Famous quotes containing the words contrasting and/or clash:
“Humour is the describing the ludicrous as it is in itself; wit is the exposing it, by comparing or contrasting it with something else. Humour is, as it were, the growth of nature and accident; wit is the product of art and fancy.”
—William Hazlitt (1778–1830)
“Simile and Metaphor differ only in degree of stylistic refinement. The Simile, in which a comparison is made directly between two objects, belongs to an earlier stage of literary expression; it is the deliberate elaboration of a correspondence, often pursued for its own sake. But a Metaphor is the swift illumination of an equivalence. Two images, or an idea and an image, stand equal and opposite; clash together and respond significantly, surprising the reader with a sudden light.”
—Sir Herbert Read (1893–1968)