Music
The opening theme "Heartbeat" is a translation to Japanese of the Swedish entry to the Eurovision Song Contest 2001. The ending theme "Equal Romance" is a cover version of the same song by CoCo, which was the second ending theme of Ranma ½.
- Opening
- "Heartbeat" by Prière
- "Dynamite I.N.G (ダイナマイト★I・N・G)" by Asami Sanada, Miyuki Sawashiro, and Kyoko Hikami
- "Miracle Wonderland (ミラクル☆ワンダーランド)" by Asami Sanada, Miyuki Sawashiro, and Kyoko Hikami
- Ending
- "Equal Romance" by Prière
- "Di Gi Charat Ondo (デ・ジ・キャラット音頭)" by Asami Sanada, Miyuki Sawashiro, Kyoko Hikami, and Yoshiko Kamei
- "PARTY☆NIGHT -Cyber Trance Version-" by Asami Sanada, Miyuki Sawashiro, Kyoko Hikami, and Yuka Iguchi
- "PARTY☆NIGHT -Cyber X'mas Version-" by Asami Sanada, Miyuki Sawashiro, Kyoko Hikami, and Yuka Iguchi
- "Daisuki (ダイスキ)" by Asami Sanada, Miyuki Sawashiro, and Kyoko Hikami
Read more about this topic: Di Gi Charat Nyo!
Famous quotes containing the word music:
“If this be love, to clothe me with dark thoughts,
Haunting untrodden paths to wail apart;
My pleasures horror, music tragic notes,
Tears in mine eyes and sorrow at my heart.
If this be love, to live a living death,
Then do I love and draw this weary breath.”
—Samuel Daniel (15621619)
“And in the next instant, immediately behind them, Victor saw his former wife.
At once he lowered his gaze, automatically tapping his cigarette to dislodge the ash that had not yet had time to form. From somewhere low down his heart rose like a fist to deliver an uppercut, drew back, struck again, then went into a fast disorderly throb, contradicting the music and drowning it.”
—Vladimir Nabokov (18991977)
“In benevolent natures the impulse to pity is so sudden, that like instruments of music which obey the touch ... you would think the will was scarce concerned, and that the mind was altogether passive in the sympathy which her own goodness has excited. The truth is,the soul is [so] ... wholly engrossed by the object of pity, that she does not ... take leisure to examine the principles upon which she acts.”
—Laurence Sterne (17131768)