Recent History
By the 1990s, the Museum rode a wave of success. In 1993, the Detroit Historical Society raised nearly $4 million for exhibits, educational programs and an endowment fund for the Museum. A new permanent exhibit, made possible by the success of the campaign, opened in 1995 – The Motor City Exhibition. This exhibit traces Detroit’s development into the Automobile Capital of the World and includes an operating assembly line with a two-story body drop from the General Motors Cadillac Division Clark Street Plant. In 1998, the Museum opened another permanent exhibition, Frontiers to Factories: Detroiters at Work 1701–1901. This exhibit depicts the city’s first two hundred years, as it grew from a French fur trading post to a major industrial center.
In March 2006, the Detroit Historical Society once again assumed operational responsibility for the Museum, after signing a formal agreement with the City of Detroit. Four months later, the Museum closed for an extensive “Museum Makeover” reopening on September 29, 2006 with six new exhibits, a facility with improved lighting, signage and building upgrades.
The museum closed again May 21 through November 22, 2012, for renovation. Several new exhibits were installed including the Allesee Gallery of Culture; Detroit: Arsenal of Democracy that explores the city's role in World War II; a sign from Tiger Stadium; the Kid Rock Music Lab, created through a $250,000 gift from performer Kid Rock; the Gallery of Innovation and Doorway to Freedom: Detroit and the Underground Railroad that allows visitors to simulate the journey of a runaway slave traveling through Detroit to Canada.
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Famous quotes containing the word history:
“Every generation rewrites the past. In easy times history is more or less of an ornamental art, but in times of danger we are driven to the written record by a pressing need to find answers to the riddles of today.... In times of change and danger when there is a quicksand of fear under men’s reasoning, a sense of continuity with generations gone before can stretch like a lifeline across the scary present and get us past that idiot delusion of the exceptional Now that blocks good thinking.”
—John Dos Passos (1896–1970)
“When the landscape buckles and jerks around, when a dust column of debris rises from the collapse of a block of buildings on bodies that could have been your own, when the staves of history fall awry and the barrel of time bursts apart, some turn to prayer, some to poetry: words in the memory, a stained book carried close to the body, the notebook scribbled by hand—a center of gravity.”
—Adrienne Rich (b. 1929)