Works
- Novum Instrumentum omne, the first modern and critical version of the Greek New Testament, part of what is now known as the Textus Receptus.
- Colloquia, which appeared at intervals from 1518 on
- Apophthegmatum opus
- Adagia
- Copia: Foundations of the Abundant Style (1512) (a.k.a. De Copia)
- The Praise of Folly
- The first tome or volume of the Paraphrase of Erasmus vpon the newe testamente
- A playne and godly Exposytion or Declaration of the Commune Crede
- A handbook on manners for children
- Disticha de moribus nomine Catonis edition with commentaries (1513), later edited and translated, among others, by Michael Servetus
- The Education of a Christian Prince (1516)
- De recta Latini Graecique Sermonis Pronunciatione (1528)
- De pueris statim ac liberaliter instituendis" (1529)
- De octo orationis partium constructione libellus (1536) This work was later edited and translated, among others, by Michael Servetus (1549).
Read more about this topic: Desiderius Erasmus
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“Every man is in a state of conflict, owing to his attempt to reconcile himself and his relationship with life to his conception of harmony. This conflict makes his soul a battlefield, where the forces that wish this reconciliation fight those that do not and reject the alternative solutions they offer. Works of art are attempts to fight out this conflict in the imaginative world.”
—Rebecca West (1892–1983)
“A creative writer must study carefully the works of his rivals, including the Almighty. He must possess the inborn capacity not only of recombining but of re-creating the given world. In order to do this adequately, avoiding duplication of labor, the artist should know the given world.”
—Vladimir Nabokov (1899–1977)
“Nature is so perfect that the Trinity couldn’t have fashioned her any more perfect. She is an organ on which our Lord plays and the devil works the bellows.”
—Johann Wolfgang Von Goethe (1749–1832)