Descent From The Cross

The Descent from the Cross (Greek: Ἀποκαθήλωσις, Apokathelosis), or Deposition of Christ, is the scene, as depicted in art, from the Gospels' accounts of Joseph of Arimathea and Nicodemus taking Christ down from the cross after his crucifixion (John 19:38-42). In Byzantine art the topic became popular in the 9th century, and in the West from the 10th century. The Descent from the Cross is the 13th Station of the Cross.

Other figures not mentioned in the Gospels who are often included in depictions of this subject include St. John the Evangelist, who is sometimes depicted supporting a fainting Mary (as in the work below by Rogier van der Weyden), and Mary Magdalene. The Gospels mention an undefined number of women as watching the crucifixion, including the Three Marys, (Mary Salome being mentioned in Mark 15:40), and also that the Virgin Mary and Mary Magdalene saw the burial (Mark 15:47). These and further women and unnamed male helpers are often shown.

Read more about Descent From The Cross:  Development of The Image, Selected Examples, Gallery

Famous quotes containing the words descent from, descent and/or cross:

    “There is Hawthorne, with genius so shrinking and rare
    That you hardly at first see the strength that is there;
    A frame so robust, with a nature so sweet,
    So earnest, so graceful, so lithe and so fleet,
    Is worth a descent from Olympus to meet;
    James Russell Lowell (1819–1891)

    Genealogy. An account of one’s descent from an ancestor who did not particularly care to trace his own.
    Ambrose Bierce (1842–1914)

    Never expect any recognition here—the system prohibits it. The cross is not affixed to the genius, no, the genius is affixed to the cross.
    Franz Grillparzer (1791–1872)