Derrick Hodge - Career

Career

Known as a hybrid bassist as well as a solo artist, Derrick has performed and recorded with various artists including Common, Q-Tip (rapper), Kanye West, Timbaland, Jill Scott, Mos Def, Musiq Soulchild, Floetry, Gerald Levert, The Experiment Band (with Robert Glasper, Chris Dave, and Casey Benjamin), Anthony Hamilton, James Moore, Donnie McClurkin, Grammy award winning classical composer Osvaldo Golijov, and others. He has also toured and recorded with jazz artists including Clark Terry, Mulgrew Miller, Terell Stafford, and Terence Blanchard. He appeared on and composed for the extremely successful albums of the latter, Flow, and A Tale of God’s Will (A Requiem for Katrina) (2007), which were nominated for a total of 4 Grammy Awards, winning one for Best Large Jazz Ensemble Album. He also appeared on rapper Common's albums Be and Finding Forever, which also won a Grammy Award, playing bass and producing two tracks.

Derrick was a contributing composer for the original musical score of When the Levees Broke: A Requiem in Four Acts, an HBO documentary produced by Spike Lee, aired in August 2006, as well as choral arranger for the ending credits of "Miracle At St. Anna" also directed by Lee. He was sole composer of the score for the documentary film Faubourg Tremé: The Untold Story of Black New Orleans directed by Dawn Logsdon, co-directed/written by Lolis Eric Elie and released in 2008. Other film credits include music composer for The Recruiter directed by Edet Belzberg, as well as The Black Candle directed by M. K. Asante, Jr.. He has also written various compositions including "Infinite Reflections", which was commissioned by the Chicago Symphony Orchestra and arranged for small brass ensemble.

Read more about this topic:  Derrick Hodge

Famous quotes containing the word career:

    The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.
    Jessie Bernard (20th century)

    A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.
    Ishmael Reed (b. 1938)

    Clearly, society has a tremendous stake in insisting on a woman’s natural fitness for the career of mother: the alternatives are all too expensive.
    Ann Oakley (b. 1944)