Development of The Show
Cook and Moore were touring Broadway with their revue show Good Evening, a live version of their television series Not Only... But Also. The relationship between the two men had become strained as a result of Cook's worsening alcoholism. To reassure Moore, Cook hired a recording studio in New York, where the two could simply relax, drink and ad-lib. The resulting recording was padded out with live performances of old favourites, such as "Bo Duddley" and began to circulate as Derek and Clive (Live).
Cook became bemused at the idea that they should not be making money from the increasing popularity of Derek and Clive, and suggested to Moore that the recording should be released officially. By this point, Moore had embarked on a successful Hollywood film career and found the tapes embarrassing, until he too realised his contemporaries were fans.
Two more records were made. They were less like dialogues and more like vindictive attacks on the increasingly successful Moore by Cook, whose career had stalled somewhat in comparison. One such merciless assault was in a cancer themed diatribe when Cook was fully aware that Moore had recently lost his father to the disease. The same love-hate relationship between them is evident in the Derek and Clive Get the Horn movie.
It is often mistakenly assumed that all of their releases were recorded while under the influence of alcohol. While this can be presumed of "Come Again" - where the sounds of bottles can be heard in the background, featuring some tracks where both Cook and Moore are slurring their words - the home video release of Derek and Clive Get the Horn shows a very sober looking Cook and Moore drinking coffee and water throughout. During the filming, a prank was played upon Cook and Moore by Richard Branson where 'police' arrive and suspiciously sniff the contents of an ash tray to the dismay of the unnerved and wary pair.
Later CD releases of Come Again and Ad Nauseam featured out-takes, most were recorded during the Ad Nauseam sessions. Surreal at times, these included "Mother" - featured on Derek and Clive Get the Horn - where Cook pretends to visit his over-possessive and deranged mother, ending with Cook telling his mother to "shut your fucking face and die". "Valerie's Hymen," where Moore discussed cutting out his wife's hymen with a carving knife, and "Lady Vera Fart Teller", wherein Moore elaborates on a visit to a fortune teller who could tell his future by examining his farts.
Transcripts of further, unreleased, out takes are available in a book titled Come Again, edited by William Cook and feature "General Eisenhower", where Cook reflects on the perils of counting the late General's dandruff flakes; "Vietnam", where Moore received a paper cut inflicted by the Viet Cong (in one insightful remark Cook mentions a "friend" of his who fought in Vietnam but he's not sure "on which side"), and "A Million Pounds", where Cook plays an hysterical woman trying to obtain a million pounds from a sympathetic Moore. The remaining unreleased out-takes are variations on actual releases.
Tracks from Derek and Clive (Live), specifically the Bo Duddley sketch, were sampled on one of the first UK house music tracks, 1988's "Voodoo Ray" by A Guy Called Gerald.
Read more about this topic: Derek And Clive
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