Performance History
The work was performed first at the Theater an der Wien, Vienna, on December 6, 1882. It was a success and allowed Millöcker to retire from conducting. Johann Strauss II rejected the libretto in favor of A Night in Venice, but Millöcker's work turned out to be an enduringly popular operetta, with over 5,000 productions.
The piece played at the Thalia Theatre in New York City in 1883 and then in English at the Casino Theatre in 1883. It was revived in New York at least three times: in 1898 at the American Theatre, in 1899 at the American Theatre, and in 1913 at the Casino Theatre. It was also performed in London at the Alhambra Theatre in 1884, in a four-act version.
The operetta has been filmed at least four times – once in English (1931), and once as a silent film (1927). It has also been performed on German television. Recent productions in English include Ohio Light Opera (1996), and Light Opera Works (1991).
Read more about this topic: Der Bettelstudent
Famous quotes containing the words performance and/or history:
“The audience is the most revered member of the theater. Without an audience there is no theater. Every technique learned by the actor, every curtain, every flat on the stage, every careful analysis by the director, every coordinated scene, is for the enjoyment of the audience. They are our guests, our evaluators, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.”
—Viola Spolin (b. 1911)
“It is true that this man was nothing but an elemental force in motion, directed and rendered more effective by extreme cunning and by a relentless tactical clairvoyance .... Hitler was history in its purest form.”
—Albert Camus (19131960)