Depth of Field - Circle of Confusion Criterion For Depth of Field

Circle of Confusion Criterion For Depth of Field

Precise focus is possible at only one distance; at that distance, a point object will produce a point image. At any other distance, a point object is defocused, and will produce a blur spot shaped like the aperture, which for the purpose of analysis is usually assumed to be circular. When this circular spot is sufficiently small, it is indistinguishable from a point, and appears to be in focus; it is rendered as “acceptably sharp”. The diameter of the circle increases with distance from the point of focus; the largest circle that is indistinguishable from a point is known as the acceptable circle of confusion, or informally, simply as the circle of confusion. The acceptable circle of confusion is influenced by visual acuity, viewing conditions, and the amount by which the image is enlarged (Ray 2000, 52–53). The increase of the circle diameter with defocus is gradual, so the limits of depth of field are not hard boundaries between sharp and unsharp.

For a 35 mm motion picture, the image area on the negative is roughly 22 mm by 16 mm (0.87 in by 0.63 in). The limit of tolerable error is usually set at 0.05 mm (0.002 in) diameter. For 16 mm film, where the image area is smaller, the tolerance is stricter, 0.025 mm (0.001 in). Standard depth-of-field tables are constructed on this basis, although generally 35 mm productions set it at 0.025 mm (0.001 in). Note that the acceptable circle of confusion values for these formats are different because of the relative amount of magnification each format will need in order to be projected on a full-sized movie screen. (A table for 35 mm still photography would be somewhat different since more of the film is used for each image and the amount of enlargement is usually much less.)

Read more about this topic:  Depth Of Field

Famous quotes containing the words circle of, circle, confusion, criterion, depth and/or field:

    Change begets change. Nothing propagates so fast. If a man habituated to a narrow circle of cares and pleasures, out of which he seldom travels, step beyond it, though for never so brief a space, his departure from the monotonous scene on which he has been an actor of importance would seem to be the signal for instant confusion.... The mine which Time has slowly dug beneath familiar objects is sprung in an instant; and what was rock before, becomes but sand and dust.
    Charles Dickens (1812–1870)

    we are the circle of the crazy ladies
    who sit in the lounge of the mental house
    and smile at the smiling woman
    who passes us each a bell,
    Anne Sexton (1928–1974)

    My grandmother stood among her kettles and ladles.
    Smiling, in faulty grammar,
    She praised my fortune and urged my lofty career.
    So to please her I studied—but I will remember always
    How she poured confusion out, how she cooled and labeled
    All the wild sauces of the brimming year.
    Mary Oliver (b. 1935)

    Faith in reason as a prime motor is no longer the criterion of the sound mind, any more than faith in the Bible is the criterion of righteous intention.
    George Bernard Shaw (1856–1950)

    Now as at all times I can see in the mind’s eye,
    In their stiff, painted clothes, the pale unsatisfied ones
    Appear and disappear in the blue depth of the sky
    William Butler Yeats (1865–1939)

    Love to chawnk green apples an’ go swimmin’ in the
    lake.—
    Hate to take the castor-ile they give for belly-ache!
    ‘Most all the time, the whole year round, there ain’t no flies on
    me,
    But jest ‘fore Christmas I’m as good as I kin be!
    —Eugene Field (1850–1895)