History
Deogarh's strategic location on the ancient route to the Deccan Plateau made it a historically important place. Its antiquarian, archaeological and epigraphical importance are linked to the Gupta period, the Gurjara–Prathiharas, the Gonds, the Muslim rulers of Delhi, the Marathas and the British eras.
The earliest religious influence in the Deogarh area can be traced to the Gupta period (320-550), known as the "golden period" of Indian history. This was followed by the Jain period between the 8th and 17th centuries, where innumerable temples have been traced.
The present village's history has not been examined at depth, even though many inscriptions have been located in the fort and the valley, relating to various stylistic and palaeographical denominations. Although the dynasties who ruled over the territory are known, who built what is not clear, except for the Jain temples, which were built by the merchant Jain community. More archaeological explorations would therefore be essential, to establish the linkages of building activities with the dynasties who ruled over the territory, considering the enormous amount of Hindu and Jain temple remains and artifacts found here.
The earliest history of Deogarh is that of the architectural evolution traced to the ancient Gupta period, which flourished between the 4th and 6th centuries in Northern India. During this period, the arts, science and literature saw aesthetic evolution. It was the period when Brahminical, Buddhist and Jain activities flourished.
Entry frame of the Dasavatara temple Vishnu reclining on the serpent Shesha (Ananta) on a side panel of the Vishnu temple of 5th century.During this time, sculptural arts peaked and "India entered upon the classical phase of sculpture". Even though Guptas were Hindu rulers, the cultures of Buddhism and Jainism also flourished during their reign. During this period, Buddhist sculptures were more puritanical with total elimination of nudity in its depictions. However, transparent tight fitting drapery were dictated by moral values and hence, were restrained. Indian temple architecture emerged with figurine sculptures in decorative settings, attaining excellence of form. This is inferred from the large panel of Sheshashayi Vishnu (Hindu god Vishnu reclining on the serpent Shesha) at the Deogarh temple.
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