Democratic Party of Oregon - History

History

Democrats in the Oregon Territory first organized as a political party by holding a convention on July 4, 1851, at which a central committee was chosen and James Nesmith was made chairman.

The party's first convention post-statehood was held in Salem on April 20, 1859. Bitterly divided over the issue of slavery, the convention nominated Lansing Stout, supported by pro-slavery factions led by Joseph Lane, for the United States House of Representatives over incumbent Democrat La Fayette Grover. Democratic control of the state legislature between 1859 and 1879 resulted in the selection of eight Democrats as US senators, and only three Republicans were chosen. Beginning in the 1880s the Democrats became the minority party when immigrants from Wisconsin, Michigan, Minnesota and foreign countries moving over to Oregon chose the Republican Party as their main party. Between 1900 and 1932 the Republicans enjoyed a two-one ratio over the Democrats, and sometimes three-one. There was no real changed even during the Franklin D. Roosevelt years where the Republican registration never dipped below 50% throughout the state. This remained the case until the boom in employment caused by World War II. This resulted in a drastic increase in Oregon population, which benefited the Democratic party. Workers that came in provided a base to rebuild the Democratic Party.

Read more about this topic:  Democratic Party Of Oregon

Famous quotes containing the word history:

    “The history of the world is none other than the progress of the consciousness of freedom.”
    —Georg Wilhelm Friedrich Hegel (1770–1831)

    “Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernism’s high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.”
    —Gilbert Adair, British author, critic. Sunday Times: Books (London, April 21, 1991)

    “The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism.... Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.”
    —Camille Paglia (b. 1947)