Degrowth - Origins of The Movement

Origins of The Movement

The contemporary degrowth movement can trace its roots back to the anti-industrialist trends of the 19th century, developed in Great Britain by John Ruskin, William Morris and the Arts and Crafts Movement (1819–1900), in the United States by Henry David Thoreau (1817–1862), and in Russia by Leo Tolstoy (1828–1911).

The concept of "degrowth" proper appeared during the 1970s, proposed by the Club of Rome think tank and intellectuals such as Nicholas Georgescu-Roegen, Jean Baudrillard, André Gorz, Edward Goldsmith and Ivan Illich, whose ideas reflect those of earlier thinkers, such as the economist E. J. Mishan, the industrial historian Tom Rolt, and the radical socialist Tony Turner. The writings of Mohandas Karamchand Gandhi and Dr.J.C.Kumarappa also contain similar philosophies, particularly regarding his support of voluntary simplicity.

More generally, degrowth movements draw on the values of humanism, enlightenment, anthropology and human rights.

Read more about this topic:  Degrowth

Famous quotes containing the words origins of, origins and/or movement:

    Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.
    W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)

    Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.
    W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)

    Failure or success seem to have been allotted to men by their stars. But they retain the power of wriggling, of fighting with their star or against it, and in the whole universe the only really interesting movement is this wriggle.
    —E.M. (Edward Morgan)