Defence of The True and Catholic Doctrine of The Sacrament of The Body and Blood of Christ - Reception

Reception

During the summer and autumn of 1550, during which Gardiner was in the Tower of London, he wrote a retort which was presented to Cranmer at the conclusion of his trial in 1551. Gardiner was severely critical of all of Cranmer's arguments and cited a range of sources supporting the doctrine of the Real Presence, such as the Book of Common Prayer, Martin Luther, Cranmer's own Catechism and other Lutheran writers.

Cranmer's use of the Church Father has drawn criticism. At his trial he was charged with corrupting patristic texts and falsifying their meaning by "evil translating." Cyril Richardson argues that "as a keen controversialist who wants the Fathers on his side," Cranmer "is not above purposely leaving them unclear in order to win a point in a debate."

Geoffrey Bromiley has suggested that in the Defence, Cranmer becomes "so enmeshed in the detailed refutation of a false teaching that he cannot work out the implications of his positive statements."

Read more about this topic:  Defence Of The True And Catholic Doctrine Of The Sacrament Of The Body And Blood Of Christ

Famous quotes containing the word reception:

    Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.
    Jonathan Swift (1667–1745)

    I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.”
    Gerald R. Ford (b. 1913)

    To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.
    Lewis H. Lapham (b. 1935)