Deep image is a term coined by U.S. poets Jerome Rothenberg and Robert Kelly in the second issue of Trobar in 1961. They used it to describe poetry written by them and by Diane Wakoski and Clayton Eshleman.
In creating the term, Rothenberg was inspired by the Spanish cante jondo ("deep song"), especially the work of Federico García Lorca and by the symbolist theory of correspondences.
In general, deep image poems are resonant, stylized and heroic in tone. Longer poems tend to be catalogues of free-standing images.
The deep image group was short-lived in the manner that Kelly and Rothenberg used.
It was later redeveloped by Robert Bly and used by many, such as Galway Kinnell and James Wright. The redevelopment relied on being concrete, not abstract, and to let the images make the experience and to let the images and experience generate the meanings. This new style of Deep Image tended to be narrative, but was often lyrical.
Famous quotes containing the words deep and/or image:
“With deep affection and recollection
I often think of the Shandon bells,”
—Francis Sylvester Mahony (1805–1866)
“You make yourselves out to be shepherds of the flock and yet you allow your sheep to live in filth and poverty. And if they try and raise their voices against it, you calm them by telling them their suffering is the will of God. Sheep, indeed. Are we sheep to be herded and sheared by a handful of owners? I was taught man was made in the image of God, not a sheep.”
—Philip Dunne (1908–1992)