Deep Focus and Deep Space
When deep focus is used, filmmakers often combine it with deep space (also called deep staging). Deep space is a part of mise-en-scene, placing significant actors and props in different planes of the picture. Directors and cinematographers often use deep space without using deep focus, being either an artistic choice or because they don't have resources to create a deep focus look, or both.
Directors may use deep focus in only some scenes or even just some shots. Other auteurs choose to use it consistently throughout the movie, either as a stylistic choice or because they believe it represents reality better. Directors like Orson Welles, Jean Renoir and Kenji Mizoguchi all used deep focus as part of their signature style.
Read more about this topic: Deep Focus
Famous quotes containing the words deep, focus and/or space:
“Beloved, let your eyes half close, and your heart beat
Over my heart, and your hair fall over my breast,
Drowning love’s lonely hour in deep twilight of rest....”
—William Butler Yeats (1865–1939)
“While the focus in the landscape of Old World cities was commonly government structures, churches, or the residences of rulers, the landscape and the skyline of American cities have boasted their hotels, department stores, office buildings, apartments, and skyscrapers. In this grandeur, Americans have expressed their Booster Pride, their hopes for visitors and new settlers, and customers, for thriving commerce and industry.”
—Daniel J. Boorstin (b. 1914)
“The woman’s world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.”
—Jeanine Basinger (b. 1936)