Comedy Central Era
Just as its run at KTMA was ending, the creators of MST3K used a short "best-of" reel to pitch the concept to executives at the Comedy Channel, a relatively new national cable channel. It became one of the first two shows picked up. New sets were built, the robots were retooled, and a new doorway sequence was shot. Another major change was the show's writing format: instead of ad-lib riffs in the theater, each show was carefully scripted ahead of time, with Mike Nelson serving as head writer. Writer and performer Weinstein left the show after the first comedy central season completed. Murphy replaced Weinstein as the voice of Tom Servo. The Dr. Erhardt character was replaced by Conniff's "TV's Frank" (who showed Joel and the bots a milk carton with Erhardt on it to explain he was "missing"). Despite being a lackey and not a "mad scientist", Forrester and Frank were collectively referred to as "The Mads".
After the second season, The Comedy Channel and rival comedy cable network HA! merged to become Comedy Central. During this period, MST3K became the cable channel's signature series, expanding from 13 to 24 episodes a year, a rate which would continue until its seventh national season, as the show gradually fell out of favor with the network's new management at the time. To take advantage of the show's status, Comedy Central ran a 30-hour marathon of previous MST3K episodes during Thanksgiving, 1991, including special promos and a "making of" show (This Is MST3K, hosted by Penn Jillette) that featured a behind the scenes look at episode scripting, filming, voicing, and puppet construction.
Show creator Hodgson decided to leave the series halfway through season five. He chose to quit due to his dislike of being on-camera, as well as his disagreements with producer Jim Mallon for creative control of the program. Hodgson later told an interviewer: "If I had the presence of mind to try and work it out, I would rather have stayed. 'Cause I didn't want to go, it just seemed like I needed to." In his final episode, Joel was forced to sit through the Joe Don Baker movie Mitchell; he escaped the S.O.L. and returned to Earth with the help of Gypsy and Mike Nelson (a temp worker, played by head writer Nelson, hired by Forrester to help prepare for an audit from the Fraternal Order of Mad Science), after the two discovered an escape pod (fittingly named the Deus ex Machina) in a box marked "Hamdingers". To replace Joel, Dr. Forrester sent Mike up in his place, where he remained as the show's host until the end of its run.
Conniff left the show after season six, with Frank being taken to "Second Banana Heaven" by Torgo of Manos: The Hands of Fate (another movie previously viewed in their theater) played by Mike Nelson. Season seven saw the addition of Forrester's mother, Pearl (played by writer Mary Jo Pehl). In the last show of the seventh season, Laserblast, Dr. Forrester detaches the SOL from Deep 13 after his funding runs out, casting the satellite adrift in space. Eventually they reach the edge of the Universe and become entities of pure consciousness.
The show's run coincided with the growth of the internet and numerous fans' (MSTies) Web sites devoted to the series. There were two official fan conventions in Minneapolis, run by the series' production company itself (called "ConventioCon ExpoFest-A-Rama" (1994) and "ConventioCon ExpoFest-A-Rama 2: Electric Bugaloo" (1996), the second being a dual reference to the movie Breakin' 2: Electric Boogaloo and the children's TV series The Bugaloos).
Read more about this topic: Deep 13, Background and History
Famous quotes containing the words comedy, central and/or era:
“The actors today really need the whip hand. Theyre so lazy. They havent got the sense of pride in their profession that the less socially elevated musical comedy and music hall people or acrobats have. The theater has never been any good since the actors became gentlemen.”
—W.H. (Wystan Hugh)
“There is no such thing as a free lunch.”
—Anonymous.
An axiom from economics popular in the 1960s, the words have no known source, though have been dated to the 1840s, when they were used in saloons where snacks were offered to customers. Ascribed to an Italian immigrant outside Grand Central Station, New York, in Alistair Cookes America (epilogue, 1973)
“It is not the literal past that rules us, save, possibly, in a biological sense. It is images of the past.... Each new historical era mirrors itself in the picture and active mythology of its past or of a past borrowed from other cultures. It tests its sense of identity, of regress or new achievement against that past.”
—George Steiner (b. 1929)