Deborah Cooper - Live Performance

Live Performance

Cooper appears and performs live at club, casino, circuit parties, corporate and special events. Due to the popularity and longevity of "Deeper Love", known as "Pride", she frequently appears at GLBT events, Prides, and fundraisers.

In the late 1990s Ms. Cooper's Personal Appearance Manager Scott Sherman of the Atlantic Entertainment Group specifically developed for Deborah a new concept for non live music appearances, known as "track" shows, typically utilized in smaller venues and "one night" limited runs.

With her team of her Personal Appearance Manager, working with choreographer Luis Villabon, Sound engineer Henry "Butch" Jackson, AMS Services for lighting and effects; her costumes included designer regalia by Gianni Versace, Marc Baur the previous live appearance track show evolved into a portable production show fitting both smaller and larger venues.

A collaboration with dancer and choreographer, Luis Villabon, Cooper and manager Scott Sherman, a retired professional dancer himself, they purposely cast experienced, Broadway trained dancers; rather than customary hip hop shakers. In combining classically trained dancers: Jazz, Ballet, "show" dancing; with "street" and hip hop movement, including professional staging and meticulous choreography, her new look and style was established; thus starting a trend among similar acts.

Read more about this topic:  Deborah Cooper

Famous quotes containing the words live and/or performance:

    ... in the cities there are thousands of rolling stones like me. We are all alike; we have no ties, we know nobody, we own nothing. When one of us dies, they scarcely know where to bury him.... We have no house, no place, no people of our own. We live in the streets, in the parks, in the theatres. We sit in restaurants and concert halls and look about at the hundreds of our own kind and shudder.
    Willa Cather (1873–1947)

    When a book, any sort of book, reaches a certain intensity of artistic performance it becomes literature. That intensity may be a matter of style, situation, character, emotional tone, or idea, or half a dozen other things. It may also be a perfection of control over the movement of a story similar to the control a great pitcher has over the ball.
    Raymond Chandler (1888–1959)