Death Proof - Production

Production

The story for Death Proof developed from Quentin Tarantino's fascination for the way stuntmen would “death-proof” stunt cars so a driver could survive horrific, high-speed crashes and collisions. This inspired Tarantino to create a slasher film featuring a deranged stuntman who stalks and murders sexy young women with his “death-proof” car. Tarantino remembers, “I realized I couldn't do a straight slasher film, because with the exception of women-in-prison films, there is no other genre quite as rigid. And if you break that up, you aren't really doing it anymore. It's inorganic, so I realized—let me take the structure of a slasher film and just do what I do. My version is going to be fucked up and disjointed, but it seemingly uses the structure of a slasher film, hopefully against you.” According to Robert Rodriguez, “ had an idea and a complete vision for it right away when he first talked about it. He started to tell me the story and said, ‘It’s got this death-proof car in it.’ I said, ‘You have to call it Death Proof.’ I helped title the movie, but that’s it.” Of the car chases, Tarantino stated, “CGI for car stunts doesn’t make any sense to me—how is that supposed to be impressive? I don't think there have been any good car chases since I started making films in ’92—to me, the last terrific car chase was in Terminator 2. And Final Destination 2 had a magnificent car action piece. In between that, not a lot. Every time a stunt happens, there’s twelve cameras and they use every angle for Avid editing, but I don’t feel it in my stomach. It’s just action.”

Death Proof marked Tarantino's first credit as a cinematographer.

Tarantino attempted to cast John Travolta, Willem Dafoe, John Malkovich, Mickey Rourke, Ron Perlman, Bruce Willis, Kal Penn and Sylvester Stallone in Death Proof, but none were able to work due to prior commitments. In an interview, Tarantino revealed that he decided to cast Kurt Russell as the killer stunt driver because “for people of my generation, he's a true hero…but now, there's a whole audience out there that doesn't know what Kurt Russell can do. When I open the newspaper and see an ad that says ‘Kurt Russell in Dreamer,’ or ‘Kurt Russell in Miracle,’ I'm not disparaging these movies, but I'm thinking: When is Kurt Russell going to be a badass again?” Eli Roth, Planet Terror leading actress Rose McGowan and Tarantino himself appear in small roles. Roth flew in from Europe, where he was filming Hostel: Part II to film his scenes, which took one day.

After being impressed by stuntwoman Zoë Bell, who worked as Uma Thurman's stunt double in Tarantino's earlier film Kill Bill, Tarantino wrote her the leading female role. This was her first on-screen acting which Bell initially thought was going to be a cameo role. The character Zoë was based on the stuntwoman herself and includes small stories based around her real life experiences, some with Tarantino. When her name was featured on the film posters opposite Kurt Russell, Rosario Dawson and Rose McGowan, she realized how big the role was.

Death Proof uses various unconventional techniques to make the film appear more like those that were shown in grindhouse theaters in the 1970s. Throughout the feature, the film was intentionally damaged to make it look like many of the exploitation films of the 1970s which were generally shipped around from theater to theater and usually ended up in bad shape. A notable example of one of the film's deliberate jump-cuts is seen at the beginning, when the title Quentin Tarantino's Thunderbolt is shown for a split second before abruptly being replaced by an insert with the title Death Proof, appearing in white lettering on a black background. (Exploitation films were commonly retitled, especially if they received bad press on initial release.)

On the editing of Death Proof, Tarantino stated “There is half-an-hour’s difference between my Death Proof and what is playing in Grindhouse. I was like a brutish American exploitation distributor who cut the movie down almost to the point of incoherence. I cut it down to the bone and took all the fat off it to see if it could still exist, and it worked.” An extended, 127-minute version of Death Proof was screened in competition for the Palme d'Or at the 60th Cannes Film Festival. Tarantino is quoted as saying “It works great as a double feature, but I'm just as excited if not more excited about actually having the world see Death Proof unfiltered. It will be the first time everyone sees Death Proof by itself, including me.”