The death of Ludwig van Beethoven on 26 March 1827 followed a prolonged illness. It was witnessed by his sister-in-law and by his close friend Anselm Hüttenbrenner, who provided a vivid description of the event. Beethoven's funeral was held three days later, and the procession was witnessed by a large crowd. He was buried in the cemetery at Währing, although his remains were moved in 1888 to Vienna's Zentralfriedhof.
Hüttenbrenner's account has been used to ascribe motivations of resistance and anger to Beethoven in his final moments. Beethoven's last words, and the exact cause of Beethoven's death have also been the subject of some disagreement.
Read more about Death Of Ludwig Van Beethoven: Final Illness, Autopsy and Post-mortem Findings, Funeral and Burial, Lead Poisoning Overdose
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“No one should drive a hard bargain with an artist.”
—Ludwig Van Beethoven (1770–1827)
“But, when nothing subsists from a distant past, after the death of others, after the destruction of objects, only the senses of smell and taste, weaker but more enduring, more intangible, more persistent, more faithful, continue for a long time, like souls, to remember, to wait, to hope, on the ruins of all the rest, to bring without flinching, on their nearly impalpable droplet, the immense edifice of memory.”
—Marcel Proust (1871–1922)
“if thou slip thy troth and do not come at all.
As minutes in the clock do strike so call for death I shall:
To please both thy false heart, and rid myself from woe,
That rather had to die in troth than live forsaken so.”
—Unknown. The Lady Prayeth the Return of Her Lover Abiding on the Seas (l. 19–22)
“It had been a wonderful evening. And what I needed now to give it the perfect ending was a bit of the old Ludwig Van.”
—Stanley Kubrick (b. 1928)
“... two men could be just alike in all their dispositions to verbal behavior under all possible sensory stimulations, and yet the meanings or ideas expressed in their identically triggered and identically sounding utterances could diverge radically, for the two men, in a wide range of cases.”
—Willard Van Orman Quine (b. 1908)
“Mozart has the classic purity of light and the blue ocean; Beethoven the romantic grandeur which belongs to the storms of air and sea, and while the soul of Mozart seems to dwell on the ethereal peaks of Olympus, that of Beethoven climbs shuddering the storm-beaten sides of a Sinai. Blessed be they both! Each represents a moment of the ideal life, each does us good. Our love is due to both.”
—Henri-Frédéric Amiel (1821–1881)