A death mask is a wax or plaster cast made of a person’s face following death. Death masks may be mementos of the dead, or be used for creation of portraits. It is sometimes possible to identify portraits that have been painted from death masks, because of the characteristic slight distortions of the features caused by the weight of the plaster during the making of the mold. In other cultures a death mask may be a clay or another artifact placed on the face of the deceased before burial rites. The best known of these are the masks used by ancient Egyptians as part of the mummification process, such as Tutankhamun’s burial mask.
In the seventeenth century in some European countries, it was common for death masks to be used as part of the effigy of the deceased, displayed at state funerals. During the eighteenth and nineteenth centuries they were also used to permanently record the features of unknown corpses for purposes of identification. This function was later replaced by photography.
In the cases of people whose faces were damaged by their death, it was common to take casts of their hands. An example of this occurred in the case of Thomas D'Arcy McGee, the Canadian statesman whose face was shattered by the bullet which assassinated him in 1868. Contrary to popular belief, the famous casts of the hands of Abraham Lincoln were not taken after death; they were made by the sculptor Leonard Volk shortly after Lincoln's nomination as the Republican presidential candidate in May of 1860.
When taken from a living subject, such a cast is called a life mask. Proponents of phrenology used both death masks and life masks for pseudoscientific purposes.
Famous quotes containing the words death and/or mask:
“Almost everybody in the neighborhood had “troubles,” frankly localized and specified; but only the chosen had “complications.” To have them was in itself a distinction, though it was also, in most cases, a death warrant. People struggled on for years with “troubles,” but they almost always succumbed to “complications.””
—Edith Wharton (1862–1937)
“Vice, in its true light, is so deformed, that it shocks us at first sight; and would hardly ever seduce us, if it did not at first wear the mask of some virtue.”
—Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)