Deanna Dunagan - Career

Career

Dunagan began her acting career performing in regional theaters such as the Asolo Repertory Theatre in Sarasota, Florida and the Actors Theatre of Louisville before trying her luck in New York City. She made her Broadway debut in the 1979 production of George Bernard Shaw's Man and Superman at Circle in the Square as an understudy for Ann Sachs. Sachs became ill at one point during the show's run and Dunagan filled in for her with great success. This exposure led to her to being signed with International Creative Management and helped forward her career.

In 1981, Dunagan performed in the first national tour of Children of a Lesser God. While on this tour, Dunagan visited Chicago for the first time and immediately fell in love with the city. After the end of the tour, Dunagan moved to Chicago and has lived there ever since, performing in more than 30 theaters in the Chicago area. Her work on the Chicago stage has garnered her three Joseph Jefferson Awards and three After Dark Awards.

She has worked in films including, The Naked Face, Running Scared, Men Don't Leave, Losing Isaiah, and Dimension. She has also appeared in more than ten made for television movies, in the TV mini-series A Will of Their Own and Amerika, and as a guest star on the television shows Prison Break, What About Joan, and Missing Persons.

In 2007, Dunagan returned to Broadway in the Steppenwolf Theatre's transplant production of Tracy Letts' August: Osage County. For her performance, Dunagan won a Tony Award, Theatre World Award and a Drama Desk Award.

Read more about this topic:  Deanna Dunagan

Famous quotes containing the word career:

    Clearly, society has a tremendous stake in insisting on a woman’s natural fitness for the career of mother: the alternatives are all too expensive.
    Ann Oakley (b. 1944)

    Each of the professions means a prejudice. The necessity for a career forces every one to take sides. We live in the age of the overworked, and the under-educated; the age in which people are so industrious that they become absolutely stupid.
    Oscar Wilde (1854–1900)

    The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.
    Jessie Bernard (20th century)