Production
Terry Moore was announced to take over the series during summer 2006. Moore hadn't read of Runaways until the job offer came up; after getting more information about the Marvel Universe and Runaways from his son, Moore "fell in love" and describes the characters with great detail and passion. Moore mentioned that one of his favorite scenes in this story arc involved the beach scene with Molly and Klara.
Humberto Ramos's incarnations of the Runaways differs greatly from those of previous artists Adrian Alphona, Mike Norton, and Michael Ryan. For Karolina, he used his personal opinion to draw her, deliberately breaking style with the previous artists for the benefit. His drawing of Nico was meant to look sexy. As for Chase, he modeled Chase into a typical "big blond hunk of California surfer", because Chase should be "the muscle in the team." Ramos regularly goes onto Yahoo! Shopping, looking for the latest ideas in fashion for Molly and Klara's Hannah Montana-inspired clothes. Xavin's gender is to be determined by the way the story progresses, Victor remains more or less the same, but Old Lace differs greatly. With a much longer jaw, the dinosaur appears a lot larger than previous incarnations.
Read more about this topic: Dead Wrong (comics)
Famous quotes containing the word production:
“Every production of an artist should be the expression of an adventure of his soul.”
—W. Somerset Maugham (1874–1965)
“By bourgeoisie is meant the class of modern capitalists, owners of the means of social production and employers of wage labor. By proletariat, the class of modern wage laborers who, having no means of production of their own, are reduced to selling their labor power in order to live.”
—Friedrich Engels (1820–1895)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)