De Havilland Puss Moth - Design History

Design History

The unnamed DH.80 prototype which first flew in September 1929 was designed for the flourishing private flying movement in the United Kingdom. It was a streamlined all-wooden aircraft fitted with the new de Havilland Gipsy III inverted inline engine that gave unimpeded vision across the nose without the protruding cylinder heads of the earlier Gipsy II engine.

After the prototype was tested, the aircraft was redesigned with a fabric-covered steel-tube fuselage and as such redesignated the DH.80A Puss Moth. The first production aircraft flew in March 1930 and was promptly sent on a sales tour of Australia and New Zealand. Orders came quickly and in the three years of production ending in March 1933, 259 were manufactured in England. An additional twenty-five aircraft were built by de Havilland Canada. Most were fitted with the 130 hp (97 kW) Gipsy Major engine that gave slightly better performance.

Most DH.80As were used as private aircraft, though many also flew commercially with small air charter firms for passenger and mail carrying. Seating was normally two although in commercial use two passengers could be carried in slightly staggered seats with the rear passenger's legs beside the forward passenger seat. The wings folded backwards for storage, pivoting on the rear spar root fitting and the V-strut root fitting, a system used on other De Havilland light airplanes of the period.

It was replaced on the production line by the DH.85 Leopard Moth that, with a plywood fuselage, was both cheaper to build and, being lighter, had better performance on the same rather modest 130 hp (97 kW) Gipsy Major engine.

Surviving British civilian aircraft were impressed into service during World War II to act as communication aircraft. A few survive into the early 21st century.

Read more about this topic:  De Havilland Puss Moth

Famous quotes containing the words design and/or history:

    If I knew for a certainty that a man was coming to my house with the conscious design of doing me good, I should run for my life ... for fear that I should get some of his good done to me,—some of its virus mingled with my blood.
    Henry David Thoreau (1817–1862)

    America is, therefore the land of the future, where, in the ages that lie before us, the burden of the World’s history shall reveal itself. It is a land of desire for all those who are weary of the historical lumber-room of Old Europe.
    Georg Wilhelm Friedrich Hegel (1770–1831)