Life
Turner was the son of James Turner, head of the Gurney and Turner's Yarmouth Bank and Elizabeth Cotman, the only daughter of the mayor of Yarmouth, John Cotman. He was educated at North Walsham Grammar School (now Paston College), Norfolk and at Barton Bendish as a pupil of the botanist Robert Forby. He then went up to Pembroke College, Cambridge, where he left without a degree due to his father's terminal illness. In 1796 he joined his father's bank and married Mary Palgrave, the daughter of William Palgrave.
He became interested in botany and published a number of books. In December 1802 he was elected a Fellow of the Royal Society. In 1816, he was elected a foreign member of the Royal Swedish Academy of Sciences.
By 1820 his interest in botany had been replaced by an interest in antiquities. He and his children were taught drawing by renowned Norfolk artist John Sell Cotman who became a good friend. They travelled to Normandy together and collaborated on a book, Architectural Antiquities of Normandy, published in 1822, with Cotman providing the etchings.
By his first wife he was father-in-law of Sir William Jackson Hooker, FRS and of Sir Francis Palgrave, FRS and the grandfather of Sir Joseph Dalton Hooker, FRS and Sir Robert Harry Inglis Palgrave, FRS. After his first wife's death in 1850 he married Rosamund Duff and moved to live in Old Brompton. He died in 1858, and is buried in Brompton Cemetery, London.
Read more about this topic: Dawson Turner
Famous quotes containing the word life:
“There is not any present moment that is unconnected with some future one. The life of every man is a continued chain of incidents, each link of which hangs upon the former. The transition from cause to effect, from event to event, is often carried on by secret steps, which our foresight cannot divine, and our sagacity is unable to trace. Evil may at some future period bring forth good; and good may bring forth evil, both equally unexpected.”
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“The true poem is not that which the public read. There is always a poem not printed on paper,... in the poets life. It is what he has become through his work. Not how is the idea expressed in stone, or on canvas or paper, is the question, but how far it has obtained form and expression in the life of the artist. His true work will not stand in any princes gallery.”
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“Unable to create a meaningful life for itself, the personality takes its own revenge: from the lower depths comes a regressive form of spontaneity: raw animality forms a counterpoise to the meaningless stimuli and the vicarious life to which the ordinary man is conditioned. Getting spiritual nourishment from this chaos of events, sensations, and devious interpretations is the equivalent of trying to pick through a garbage pile for food.”
—Lewis Mumford (18951990)