Move To South Carolina
The mansion Simmons purchased with Whitney, was located in the Ansonborough neighborhood of Charleston, a neighborhood known for housing the city's queer elite. Simmons began restoring the house, and designed the interior with early American antiques and furniture by Thomas Chippendale. Her pursuit of Chippendale pieces brought her into contact with Edward Ball, a journalist who owned a Chippendale commode and who would later write a biography about her.
In her autobiographical books, Simmons said she was born intersex with ambiguous genitalia, as well as an internal uterus and ovaries, and was inappropriately assigned male at birth. Simmons underwent sex reassignment surgery at Johns Hopkins Hospital in 1968, carried out by Dr. Milton Edgerton in 1968. In Ball's Peninsula of Lies, he disputes Simmons claim that she was intersex, suggesting instead that Simmons had male genitalia and was unable to bear children.
Read more about this topic: Dawn Langley Simmons
Famous quotes containing the words move to, move, south and/or carolina:
“We now in the United States have more security guards for the rich than we have police services for the poor districts. If you’re looking for personal security, far better to move to the suburbs than to pay taxes in New York.”
—John Kenneth Galbraith (b. 1908)
“The poem refreshes life so that we share,
For a moment, the first idea . . . It satisfies
Belief in an immaculate beginning
And sends us, winged by an unconscious will,
To an immaculate end. We move between these points:
From that ever-early candor to its late plural....”
—Wallace Stevens (1879–1955)
“In the far South the sun of autumn is passing
Like Walt Whitman walking along a ruddy shore.
He is singing and chanting the things that are part of him,
The worlds that were and will be, death and day.
Nothing is final, he chants. No man shall see the end.
His beard is of fire and his staff is a leaping flame.”
—Wallace Stevens (1879–1955)
“Poetry presents indivisible wholes of human consciousness, modified and ordered by the stringent requirements of form. Prose, aiming at a definite and concrete goal, generally suppresses everything inessential to its purpose; poetry, existing only to exhibit itself as an aesthetic object, aims only at completeness and perfection of form.”
—Richard Harter Fogle, U.S. critic, educator. The Imagery of Keats and Shelley, ch. 1, University of North Carolina Press (1949)