Landscape
Davies Manor was given distinction as a Century Farm, or a Tennessee farm owned by the same family for over 100 years, until Ellen Davies-Rodger's death. It is recognized as a certified Backyard Habitat by the National Wildlife Federation, because of the extensive list of wildlife that makes the grounds of Davies Manor home. A pond to the rear of the property supports a variety of life, including fish, turtles, dragonflies, and frogs. The woods around the property also provide a home to various wildlife, including a pack of deer who can often be seen wandering the grounds.
Davies Manor Association, Inc. has teamed with the Memphis Area Master Gardeners to create a series of gardens, which help interpret pioneer and farm life. These include a kitchen garden, herb garden, and shade garden. In addition, the Master Gardeners cultivate a Plant a Row garden. Vegetables from this garden benefit Youth Villages.
Family and local legend suggests that a slight mound to the front of the home is an Indian mound. Archaeological research debunked this claim, however, as no evidence was ever uncovered during a recent dig on plantation grounds. This myth likely came from the true fact that Dr. Julius Augustus Davies was an avid collector of Indian artifacts and conducted several productive digs at his own plantation in Walls, Mississippi. An Indian trail likely did run near to Davies Manor Plantation because of its proximity to water, and Dr. Davies did find artifacts on the Brunswick property. Dr. Davies's collection is housed at Mississippi State University.
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Famous quotes containing the word landscape:
“The curfew tolls the knell of parting day,
The lowing herd wind slowly o’er the lea,
The ploughman homeward plods his weary way,
And leaves the world to darkness and to me.
Now fades the glimmering landscape on the sight,
And all the air a solemn stillness holds,
Save where the beetle wheels his droning flight,
And drowsy tinklings lull the distant folds.”
—Thomas Gray (1716–1771)
“The horizon is more than a convention of landscape painting, less than truth.”
—Mason Cooley (b. 1927)
“One can describe a landscape in many different words and sentences, but one would not normally cut up a picture of a landscape and rearrange it in different patterns in order to describe it in different ways. Because a photograph is not composed of discrete units strung out in a linear row of meaningful pieces, we do not understand it by looking at one element after another in a set sequence. The photograph is understood in one act of seeing; it is perceived in a gestalt.”
—Joshua Meyrowitz, U.S. educator, media critic. “The Blurring of Public and Private Behaviors,” No Sense of Place: The Impact of Electronic Media on Social Behavior, Oxford University Press (1985)