Style
Silverman's direction and animation is known for its energy, sharp timing, adventurous use of design elements and often complex acting, involving expressions and poses which are often quixotic, emotionally specific or highly exaggerated. It frequently recalls the works of Ward Kimball, Tex Avery, Bob Clampett and Chuck Jones. His most prolific period of work on The Simpsons can be roughly categorized as beginning with the "Tracey Ullman" episodes and ending in or around season eight of the series, for which he animated Homer's psychedelic dream in "El Viaje Misterioso de Nuestro Jomer (The Mysterious Voyage of Homer)". Other representative examples of Silverman's work on "The Simpsons" include the Homer's histrionic, spasmodic heart attack in "Homer's Triple Bypass", Homer's demented hysterics over the iconic painting of poker-playing canines in "Treehouse of Horror IV" and subsequent turn as an even-more-deranged appropriation of Jack Nicholson's character from "The Shining" in "Treehouse of Horror V", and Homer's archetypically cartoonish reaction to Bart's prescription of Focusyn in "Brother's Little Helper".
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Famous quotes containing the word style:
“I am so tired of taking to others
translating my life for the deaf, the blind,
the “I really want to know what your life is like without giving up any of my privileges
to live it” white women
the “I want to live my white life with Third World women’s style and keep my skin
class privileges” dykes”
—Lorraine Bethel, African American lesbian feminist poet. “What Chou Mean We, White Girl?” Lines 49-54 (1979)
“To translate, one must have a style of his own, for otherwise the translation will have no rhythm or nuance, which come from the process of artistically thinking through and molding the sentences; they cannot be reconstituted by piecemeal imitation. The problem of translation is to retreat to a simpler tenor of one’s own style and creatively adjust this to one’s author.”
—Paul Goodman (1911–1972)
“A cultivated style would be like a mask. Everybody knows it’s a mask, and sooner or later you must show yourself—or at least, you show yourself as someone who could not afford to show himself, and so created something to hide behind.... You do not create a style. You work, and develop yourself; your style is an emanation from your own being.”
—Katherine Anne Porter (1890–1980)