Style
Silverman's direction and animation is known for its energy, sharp timing, adventurous use of design elements and often complex acting, involving expressions and poses which are often quixotic, emotionally specific or highly exaggerated. It frequently recalls the works of Ward Kimball, Tex Avery, Bob Clampett and Chuck Jones. His most prolific period of work on The Simpsons can be roughly categorized as beginning with the "Tracey Ullman" episodes and ending in or around season eight of the series, for which he animated Homer's psychedelic dream in "El Viaje Misterioso de Nuestro Jomer (The Mysterious Voyage of Homer)". Other representative examples of Silverman's work on "The Simpsons" include the Homer's histrionic, spasmodic heart attack in "Homer's Triple Bypass", Homer's demented hysterics over the iconic painting of poker-playing canines in "Treehouse of Horror IV" and subsequent turn as an even-more-deranged appropriation of Jack Nicholson's character from "The Shining" in "Treehouse of Horror V", and Homer's archetypically cartoonish reaction to Bart's prescription of Focusyn in "Brother's Little Helper".
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Famous quotes containing the word style:
“Style is the man himself.
[Le style c’est l’homme même.]”
—Leclerc, George-Louis Buffon, Comte De (1707–1788)
“Switzerland is a small, steep country, much more up and down than sideways, and is all stuck over with large brown hotels built on the cuckoo clock style of architecture.”
—Ernest Hemingway (1899–1961)
“His style is eminently colloquial, and no wonder it is strange to meet with in a book. It is not literary or classical; it has not the music of poetry, nor the pomp of philosophy, but the rhythms and cadences of conversation endlessly repeated.”
—Henry David Thoreau (1817–1862)