Style
Silverman's direction and animation is known for its energy, sharp timing, adventurous use of design elements and often complex acting, involving expressions and poses which are often quixotic, emotionally specific or highly exaggerated. It frequently recalls the works of Ward Kimball, Tex Avery, Bob Clampett and Chuck Jones. His most prolific period of work on The Simpsons can be roughly categorized as beginning with the "Tracey Ullman" episodes and ending in or around season eight of the series, for which he animated Homer's psychedelic dream in "El Viaje Misterioso de Nuestro Jomer (The Mysterious Voyage of Homer)". Other representative examples of Silverman's work on "The Simpsons" include the Homer's histrionic, spasmodic heart attack in "Homer's Triple Bypass", Homer's demented hysterics over the iconic painting of poker-playing canines in "Treehouse of Horror IV" and subsequent turn as an even-more-deranged appropriation of Jack Nicholson's character from "The Shining" in "Treehouse of Horror V", and Homer's archetypically cartoonish reaction to Bart's prescription of Focusyn in "Brother's Little Helper".
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Famous quotes containing the word style:
“No change in musical style will survive unless it is accompanied by a change in clothing style. Rock is to dress up to.”
—Frank Zappa (1940–1994)
“A man is free to go up as high as he can reach up to; but I, with all my style and pep, can’t get a man my equal because a girl is always judged by her mother.”
—Anzia Yezierska (c. 1881–1970)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)