Career
Paisley began acting as a teenager with 7:84 theatre company in Glasgow, openly gay himself, some of his characters have been controversial due to their sexual orientation. He starred in the short film Sweat, screened at the London Lesbian and Gay Film Festival 2008, and selected for screening at NewFest in New York, June 2008. Sweat is available on the successful short film compilation series Boys on Film distributed by Peccadillo Pictures.
Paisley completed filming on his regular role as Rory Murdoch on BBC Scotland's River City, the son of gangster Lenny Murdoch and departed the show in 2009.
Paisley starred as 'Madam' Gary in the play The Backroom by Adrian Pagan at The Cock Tavern Theatre in Kilburn, London in March-May 2009, where he provided a 'particularly credible' performance as his 'nervy and paranoid' character.
In May 2009, he also starred as Michael in the successful stage production of Muhmah at the HighTide Festival. In 2009-2010, Paisley took to the stage again in the UK Tour of Over The Rainbow: The Eva Cassidy Story, in which he played the part of Dan Cassidy.
In 2010 Paisley made his directorial debut with the play 'The Lasses, O' at the Edinburgh Festival.
He also starred as Rick in the 2010 horror film Unhappy Birthday.
Read more about this topic: David Paisley
Famous quotes containing the word career:
“In time your relatives will come to accept the idea that a career is as important to you as your family. Of course, in time the polar ice cap will melt.”
—Barbara Dale (b. 1940)
“The 19-year-old Diana ... decided to make her career that of wife. Today that can be a very, very iffy line of work.... And what sometimes happens to the women who pursue it is the best argument imaginable for teaching girls that they should always be able to take care of themselves.”
—Anna Quindlen (b. 1952)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partners job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)