Early Film Career
When Niven presented himself at Central Casting, he learned that he needed a work permit to reside and work in the U.S. This meant that Niven had to leave the U.S., so he went to Mexico, where he worked as a "gun-man", cleaning and polishing the rifles of visiting American hunters. He received his Resident Alien Visa from the American Consulate when his birth certificate arrived from England. He returned to the United States and was accepted by Central Casting as "Anglo-Saxon Type No. 2008".
Due to his role in Mutiny on the Bounty, he came to the attention of independent film producer Samuel Goldwyn, who signed him to a contract and established his career. Niven appeared in 19 films in the next four years. He had supporting roles in several major films: Rose-Marie (1936), Dodsworth (1936), The Charge of the Light Brigade (1936), The Prisoner of Zenda (1937); and leading roles in The Dawn Patrol (1938), Three Blind Mice (1938), and Wuthering Heights (1939), playing opposite such stars as Errol Flynn, Loretta Young and Laurence Olivier. In 1939, he co-starred with Ginger Rogers in the RKO comedy Bachelor Mother, and starred as the eponymous gentleman safe-cracker in Raffles.
Niven joined what became known as the Hollywood Raj, a group of British actors in Hollywood which included Rex Harrison, Errol Flynn, Boris Karloff, Stan Laurel, Basil Rathbone, Ronald Colman, Leslie Howard and C. Aubrey Smith. According to his autobiography, he and Errol Flynn were firm friends and had decided to rent Rosalind Russell's house at 601 North Linden Drive as a bachelor pad. Russell later named the house "Cirrhosis-by-the-Sea".
Read more about this topic: David Niven
Famous quotes containing the words early, film and/or career:
“In early times every sort of advantage tends to become a military advantage; such is the best way, then, to keep it alive. But the Jewish advantage never did so; beginning in religion, contrary to a thousand analogies, it remained religious. For that we care for them; from that have issued endless consequences.”
—Walter Bagehot (1826–1877)
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)
“John Brown’s career for the last six weeks of his life was meteor-like, flashing through the darkness in which we live. I know of nothing so miraculous in our history.”
—Henry David Thoreau (1817–1862)