David Morrissey Filmography - Other Acting Credits - Stage

Stage
Year Title Role Director Performance history
1986 WCPC Simon, PCPC Simon Pam Brighton Liverpool Playhouse. February 1986.
1986 Jug Matt Bradbury Philip Hedley Theatre Royal, Stratford East. 3 June–5 July 1986.
1986 Le Cid Declan Donnellan National tour/Cheek by Jowl
1987 Twelfth Night Sebastian Declan Donnellan Donmar Warehouse/Cheek by Jowl
1987 Ghetto Giorgio Julia Pascal Hammersmith Riverside Studios. March–5 April 1987.
1987–1988 Cabinet Minister, TheThe Cabinet Minister Valentine White Braham Murray Royal Exchange Theatre, Manchester. 17 December 1987 – 30 January 1988.
1988 King John Bastard Deborah Warner The Other Place/RSC. May–June 1988.
1988 Henry VI, Parts 1, 2 and 3 Vernon Adrian Noble Royal Shakespeare Theatre/RSC. 29 September 1988.
1988 Edward IV Duke of Clarence Adrian Noble Royal Shakespeare Theatre/RSC. 6 October 1988.
1988 Richard III Duke of Clarence Adrian Noble Royal Shakespeare Theatre/RSC. 13 October 1988.
1988 Plantagenets, TheThe Plantagenets Vernon/Duke of Clarence Adrian Noble Royal Shakespeare Theatre/RSC. 22 October 1988.
1989 Richard III Duke of Clarence Deborah Warner Barbican Centre/RSC. April–May 1989.
1989 King John Bastard Deborah Warner The Pit/RSC. April–June 1989.
1990 Peer Gynt Peer Gynt Declan Donnellan Olivier (National). 28 February–March 1990.
1990 School for Scandal, TheThe School for Scandal Peter Wood Olivier (National). 24 April–May 1990.
1993 Much Ado About Nothing Claudio Matthew Warchus Queen's Theatre. 6 July 1993 for 12 weeks.
1999–2000 Three Days of Rain Pip/Theo Robin LeFevre Donmar Warehouse. 1–13 March 1999, 16 November 1999 – 22 January 2000
2008–2009 In a Dark Dark House Terry Michael Attenborough Almeida Theatre. 27 November 2008 – 17 January 2009.
2011 Macbeth Macbeth Gemma Bodinetz Everyman Theatre. 6 May–11 June 2011.

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Famous quotes containing the word stage:

    “I have come to believe ... that the stage may do more than teach, that much of our current moral instruction will not endure the test of being cast into a lifelike mold, and when presented in dramatic form will reveal itself as platitudinous and effete. That which may have sounded like righteous teaching when it was remote and wordy will be challenged afresh when it is obliged to simulate life itself.”
    —Jane Addams (1860–1935)

    “I sometimes think when I’m on the stage “What do they mean? Is this great, what I’m doing now?””
    —Dame Edith Evans (1888–1976)