David Maslanka - Works

Works

Many of Maslanka’s compositions for winds and percussion have become established pieces in band repertoire. Among these pieces are “A Child’s Garden of Dreams,” “Rollo Takes a Walk,” and numerous concertos featuring a wide variety of solo instruments, including euphonium, flute, piano, marimba, alto saxophone, and (most recently) trombone. Maslanka’s second and fourth symphonies have become particularly popular wind literature. His works for percussion include “Montana Music: Three Dances for Percussion,” “Variations of ‘Lost Love,’” “My Lady White,” “Arcadia II: Concerto for Marimba and Percussion Ensemble,” and “Crown of Thorns.” Maslanka has also written a complete Mass for full choir, soprano, and baritone soli, with accompaniment by full symphonic band. Having spent his childhood in the New England area, a number of Maslanka’s compositions were influenced by his close relationship with the ocean (Alexander 1998). “Sea Dreams,” for example, as well as the second movement of his second symphony, reference large bodies of water. Maslanka’s works have been recorded and produced primarily by Albany Records, as well as Cambria, Crest, CRI, Klavier, Mark, Novisse, St. Olaf, and Umass labels. Most of his music is published by Carl Fischer. See full list of compositions by David Maslanka.

Read more about this topic:  David Maslanka

Famous quotes containing the word works:

    The subterranean miner that works in us all, how can one tell whither leads his shaft by the ever shifting, muffled sound of his pick?
    Herman Melville (1819–1891)

    Was it an intellectual consequence of this ‘rebirth,’ of this new dignity and rigor, that, at about the same time, his sense of beauty was observed to undergo an almost excessive resurgence, that his style took on the noble purity, simplicity and symmetry that were to set upon all his subsequent works that so evident and evidently intentional stamp of the classical master.
    Thomas Mann (1875–1955)

    Most young black females learn to be suspicious and critical of feminist thinking long before they have any clear understanding of its theory and politics.... Without rigorously engaging feminist thought, they insist that racial separatism works best. This attitude is dangerous. It not only erases the reality of common female experience as a basis for academic study; it also constructs a framework in which differences cannot be examined comparatively.
    bell hooks (b. c. 1955)