Works
Many of Maslanka’s compositions for winds and percussion have become established pieces in band repertoire. Among these pieces are “A Child’s Garden of Dreams,” “Rollo Takes a Walk,” and numerous concertos featuring a wide variety of solo instruments, including euphonium, flute, piano, marimba, alto saxophone, and (most recently) trombone. Maslanka’s second and fourth symphonies have become particularly popular wind literature. His works for percussion include “Montana Music: Three Dances for Percussion,” “Variations of ‘Lost Love,’” “My Lady White,” “Arcadia II: Concerto for Marimba and Percussion Ensemble,” and “Crown of Thorns.” Maslanka has also written a complete Mass for full choir, soprano, and baritone soli, with accompaniment by full symphonic band. Having spent his childhood in the New England area, a number of Maslanka’s compositions were influenced by his close relationship with the ocean (Alexander 1998). “Sea Dreams,” for example, as well as the second movement of his second symphony, reference large bodies of water. Maslanka’s works have been recorded and produced primarily by Albany Records, as well as Cambria, Crest, CRI, Klavier, Mark, Novisse, St. Olaf, and Umass labels. Most of his music is published by Carl Fischer. See full list of compositions by David Maslanka.
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Famous quotes containing the word works:
“Separatism of any kind promotes marginalization of those unwilling to grapple with the whole body of knowledge and creative works available to others. This is true of black students who do not want to read works by white writers, of female students of any race who do not want to read books by men, and of white students who only want to read works by white writers.”
—bell hooks (b. 1955)
“Great works constructed there in nature’s spite
For scholars and for poets after us,
Thoughts long knitted into a single thought,
A dance-like glory that those walls begot.”
—William Butler Yeats (1865–1939)
“Again we mistook a little rocky islet seen through the “drisk,” with some taller bare trunks or stumps on it, for the steamer with its smoke-pipes, but as it had not changed its position after half an hour, we were undeceived. So much do the works of man resemble the works of nature. A moose might mistake a steamer for a floating isle, and not be scared till he heard its puffing or its whistle.”
—Henry David Thoreau (1817–1862)