David Hammond (director) - Teaching, Directing, Writing

Teaching, Directing, Writing

Hammond was a teacher at the Juilliard School, the American Conservatory Theater in San Francisco, and the Yale School of Drama, specializing in Shakespeare and the performance of classic texts, and he directed numerous productions for A.C.T. and the Yale Repertory Theatre, including a production of George Bernard Shaw's Philanderer, which was an "effective" production of a hundred year old play because it "exposed patriarchal assumptions that still influenced most of the audience". His 1989 direction of Henrik Ibsen's "The Master Builder" was called "sound and respectful of the text" and led the New York Magazine's John Simon to state "Our theater could use more Hammonds". He subsequently spent 22 years at the PlayMakers Repertory Company at the University of North Carolina at Chapel Hill, 14 of which as artistic director. In 1989 at the PRC, he rescripted the framing material in Taming of the Shrew, cutting some speeches, but adding adding jugglers and clowns and a drastic scene change to signal the play as being Sly's dream and allowing for a doubling of the Sly/Petruchio and Lord/Vincentio characters which "provided a distinctly different perspective". He also served as a professor and Head of UNC's Professional Actor Training Program. While at PlayMakers, he staged the United States premieres of Simon Bent's A Prayer for Owen Meany and Nick Stafford's Luminosity. He has both written and adapted plays, and his theatre version of The Nutcracker has been staged at numerous theatres in the United States and Canada. He contributed an essay on to Standard Speech: Essays on Voice and Speech on the methods of Edith Skinner.

He has also taught at the American Repertory Theater/Moscow Art Theater School Institute for Advanced Theater Training at Harvard University and the New York University Graduate Acting Program at Tisch School of the Arts. He is currently Professor of Theatre Studies and Arts Division Chair at Guilford College.

Hammond has directed operas for the San Francisco Opera, the Aspen Music Festival, the Carmel Bach Festival, and the Opera Company of North Carolina and has directed or coached Shakespeare productions for theatres throughout the United States and Latin America. He has also traveled extensively as a Cultural Specialist for the United States Information Service, directing and teaching in Mexico, Argentina, Chile, and Uruguay. He directed Ibsen's The Master Builder for New York's Roundabout Theatre in 1983 and Thornton Wilder's unpublished version of Ibsen's A Doll's House at Guilford College in 2007. In 2011 he directed Hamlet for Empirical Rogue in New York and in 2012 As You Like It for the American Repertory Theater in Cambridge, Massachusetts.

Chicago's Polarity Ensemble-Theatre presented his adaptation of Fielding's Tom Jones in March 2012.