Style
Keller's work often expressed strong right-wing views (Everett F. Bleiler claims he was "an ultra-conservative ideologically" ), especially hostility to feminists and African-Americans.
The level of complexity found in Keller's writing rises above many other pulp stories of the same period and holds the promise of "science fiction literature" that would be fulfilled during the Golden Age of Science Fiction.
Keller wrote a number of horror and fantasy stories, which some critics regard as superior to his SF work. Most notable is his 1932 horror tale "The Thing In The Cellar". Keller also created a series of fantasy stories called the Tales of Cornwall sequence, about the Hubelaire family; these were influenced by James Branch Cabell. Keller also wrote some fantasy work inspired by his interest in Freudian psychology, including "The Golden Bough" (1934) and The Eternal Conflict (1939 in French;1949 English).
Read more about this topic: David H. Keller
Famous quotes containing the word style:
“To translate, one must have a style of his own, for otherwise the translation will have no rhythm or nuance, which come from the process of artistically thinking through and molding the sentences; they cannot be reconstituted by piecemeal imitation. The problem of translation is to retreat to a simpler tenor of one’s own style and creatively adjust this to one’s author.”
—Paul Goodman (1911–1972)
“As the style of Faulkner grew out of his rage—out of the impotence of his rage—the style of Hemingway grew out of the depth and nuance of his disenchantment.”
—Wright Morris (b. 1910)
“The difference between style and taste is never easy to define, but style tends to be centered on the social, and taste upon the individual. Style then works along axes of similarity to identify group membership, to relate to the social order; taste works within style to differentiate and construct the individual. Style speaks about social factors such as class, age, and other more flexible, less definable social formations; taste talks of the individual inflection of the social.”
—John Fiske (b. 1939)