Single and Songs
The album's only single was "There's No Way Out of Here" which flopped in Europe, but the song is still played on US FM radio today, on stations with an AOR or classic rock format—stations most likely to play Pink Floyd. The song was originally recorded by the band Unicorn (then titled "No Way Out of Here") for their 1976 album Too Many Crooks (Harvest Records, US title Unicorn 2), which Gilmour produced. The song was also covered later by New Jersey stoner metal band Monster Magnet on their Monolithic Baby! album.
One unused tune he wrote and demoed at the time would evolve, via collaboration with Roger Waters, into Pink Floyd's "Comfortably Numb" from The Wall. However, a song included on this album, the piano ballad "So Far Away", uses a chorus progression not unlike the chorus to "Comfortably Numb", albeit in a different key.
A slightly different version of the song "Short and Sweet" can also be found on collaborator Roy Harper's 1980 album, The Unknown Soldier. Musically, "Short and Sweet" can be seen as a precursor to "Run Like Hell" (also from The Wall), with its shifting chords over a D pedal point, using a flanged guitar in Drop D tuning.
Read more about this topic: David Gilmour (album)
Famous quotes containing the words single and, single and/or songs:
“I have simplified my politics into an utter detestation of all existing governments; and, as it is the shortest and most agreeable and summary feeling imaginable, the first moment of an universal republic would convert me into an advocate for single and uncontradicted despotism. The fact is, riches are power, and poverty is slavery all over the earth, and one sort of establishment is no better, nor worse, for a people than another.”
—George Gordon Noel Byron (1788–1824)
“There is not a single rule, however plausible, and however firmly grounded in epistemology, that is not violated at some time or other. It becomes evident that such violations are not accidental events, they are not results of insufficient knowledge or of inattention which might have been avoided. On the contrary, we see that they are necessary for progress.”
—Paul Feyerabend (1924–1994)
“People fall out of windows, trees tumble down,
Summer is changed to winter, the young grow old
The air is full of children, statues, roofs
And snow. The theatre is spinning round,
Colliding with deaf-mute churches and optical trains.
The most massive sopranos are singing songs of scales.”
—Wallace Stevens (1879–1955)