Style and Themes
The album was solely written by Bowie, who also arranged with Dek Fearnley, having reportedly taught themselves the craft using the Observer Book of Music. "Rubber Band" was a marching tune that employed tuba as the lead instrument. "Little Bombardier" and "Maid of Bond Street" were in waltz time, and also made extensive use of brass and strings. "Love You Till Tuesday" and "Come and Buy My Toys" were among the few songs on the album with a lead (acoustic) guitar, the former heavily augmented by strings. "Join the Gang" was a rare excursion into contemporary youth culture, an acerbic observation of peer pressure and drug use, which included sitar in its instrumentation as well as a musical quotation of The Spencer Davis Group's recent hit "Gimme Some Lovin'." The final track, "Please Mr. Gravedigger", was "a macabre duet for voice and sound effects", and has been described as "one of pop's genuinely crazy moments".
Despite the album's incongruity in the Bowie catalogue, some commentators have discerned embryonic themes that inform the artist's more mature work. "We Are Hungry Men" is told by a self-styled "messiah" whose persona would reappear in different forms in the songs "Cygnet Committee" (from the album Space Oddity), "Saviour Machine" (from The Man Who Sold the World) and "Oh! You Pretty Things" (from Hunky Dory), as well as in the protagonist of The Rise and Fall of Ziggy Stardust and the Spiders from Mars. The track also explicitly referenced subjects like abortion, infanticide and cannibalism. "There is a Happy Land" was an early manifestation of Bowie's vision of children as a race apart from their elders, a theme revisited on The Man Who Sold the World, Hunky Dory and Ziggy Stardust. "She's Got Medals" was a gender-bending tale with gay and lesbian connotations that predated the 'dress cover' of The Man Who Sold the World and the bisexual/androgynous character of Ziggy Stardust.
Read more about this topic: David Bowie (1967 album)
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