Influences
Bowie's influences at this stage of his career included the theatrical tunes of Anthony Newley, music hall numbers by acts like Tommy Steele, some of the more whimsical and 'British' material by Ray Davies of The Kinks, Syd Barrett's slightly cracked nursery rhymes for the early Pink Floyd, and the Edwardian flam shared by such contemporary songs as The Beatles' "Being for the Benefit of Mr. Kite". The desire of Bowie's then-manager, Ken Pitt, for his charge to become an 'all-round entertainer' rather than a 'rock star' has also been cited as impacting the songwriter's style at this time, which virtually eschewed any rock 'n' roll trappings. Bowie himself has said that his debut album "seemed to have its roots all over the place, in rock and vaudeville and music hall. I didn't know if I was Max Miller or Elvis Presley".
Read more about this topic: David Bowie (1967 album)
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“Leadership does not always wear the harness of compromise. Once and again one of those great influences which we call a Cause arises in the midst of a nation. Men of strenuous minds and high ideals come forward.... The attacks they sustain are more cruel than the collision of arms.... Friends desert and despise them.... They stand alone and oftentimes are made bitter by their isolation.... They are doing nothing less than defy public opinion, and shall they convert it by blows. Yes.”
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“Do not seek anxiously to be developed, to subject yourself to many influences to be played on; it is all dissipation.”
—Henry David Thoreau (1817–1862)